Amster was very much a traditionalist as you can see in the photos above which show his Amster Yard living room in 1971. Antiques and gilt seemed to have played important roles. What struck me most, though, was that truly luscious shade of glossy blue on the walls. The ultramarine color was achieved by custom mixing peacock blue, black, green, then more blue and more black. The painted walls were lacquered as well. Stunning.
James Amster is one of those cult figures in the history of American interior design. He unfortunately doesn't have the name recognition today of, say, Van Day Truex, but during much of the twentieth century, he was very much a prominent figure in American design. He was an antiques dealer as well as an interior designer, having started the decorating department at Bergdorf's in the late 1920s. Some of you might recognize his name from Amster Yard, an enclave of apartments and offices with central courtyard located on East 49th St. It was James Amster who bought the townhouses and restored them in the 1940s in order to create an artistic community. Amster Yard counted Billy Baldwin, Norman Norell, and Isamu Noguchi as tenants. Talk about some high wattage tenants. (The buildings were unfortunately razed a few years back.)
This apartment reminded me of Todd Romano's that was recently featured in Architectural Digest. That too has glossy deep blue walls as well as a smattering of traditional antiques. Romano's home, though, is a great example of "the mix." Amongst the more traditional pieces you'll find modern art and contemporary furnishings. Perhaps Romano is the James Amster of the 21st century?
Amster photos from House Beautiful, September 1971; Romano photos from Architectural Digest, February 2011, Thomas Loof photographer.