Did you read the April issue of French AD? If so, you probably saw the article about the late French designer Henri Samuel. Samuel was one of the all-time design greats, having created interiors that were, and still are, the epitome of French chic. Although some of his work could be described as grand (his work for the Gutfreunds, for example, was notable for its tasteful splendor,) not all of Samuel's work was quite so lavish. His own home, seen here, was supremely sophisticated and yet, a tad bit more relaxed than what one might expect. Perhaps you could liken Samuel's casual decorative gestures to a blue blazer, Hermès pocket square, neatly pressed blue jeans, and loafers rather than a hoodie, sweatpants, and flip-flops, an outfit which is, unfortunately, most people's definition of casual.
While Samuel could craft some purely traditional interiors, he was equally drawn to contemporary furniture, as is evidenced by the modern pieces with which he lived. Samuel was very adept at mixing, say, Guy de Rougemont-designed furniture (like that brass cloud table, below) with antiques and refined accessories in such a way that these super-sleek pieces were elevated to the sublime. I hate to say it, but in lesser hands, this type of contemporary furniture is often used in ways that ultimately look a little seedy, and seedy is a word that will never describe Samuel or his work.
If you missed the article, take a look below. Although some of these photos have appeared in a few design books, it's important to revisit them again. This is the work of a true master.
All photos appeared in the April 2013 issue of French AD.
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by Florence de Dampierre. It was a refined home and yet that Hermes shade gave the room a sense of vigor. This, to me, is orange the way that it should be.
