Showing posts with label Paolo Moschino. Show all posts
Showing posts with label Paolo Moschino. Show all posts

Monday, August 26, 2013

Showing Some Leg.... or Not



Have you ever noticed that some upholstered ottoman/coffee tables look like fabric-wrapped, steroid-enhanced hunks that have been plopped in the middle of a room? Perhaps that's one reason why I find this particular upholstered table, seen above, so attractive. Designed by Paolo Moschino, the table is a lightweight, slimmed down approach to the traditional upholstered ottoman table.  The void in the bottom two-thirds of the table is so refreshing and airy.  The shelf, on the other hand, helps to visually balance the top part of the table and provides a perch for books.  And that fabric is so crisp and snappy, perfect for this former fisherman's cottage in Cornwall, England.

The table immediately made me think of those great upholstered ottomans, chairs, and beds in which the legs were upholstered in fabric, too.  This kind of seamless upholstery seemed to reach its height of popularity in the late 1960s, 1970s, and early 1980s and counted all kinds of devotees like Angelo Donghia, Billy Baldwin, and Stephen Mallory.  Sometimes the piece of furniture was covered in a solid fabric, while on other occasions, a zippy print was used.  What's interesting to note is that there are times when a slipper chair or ottoman, for example, can look squatty with its upholstered legs.  For this reason, it's probably best to consider this kind of upholstery on a case by case basis.

And hopefully you'll notice that I didn't include photos of fabric-covered bun feet.  That is something entirely different and not altogether very attractive.




Angelo Donghia's raffia-like upholstered dining chairs are so timeless looking, especially considering that this room was decorated in 1975. Actually, the entire room still looks great today.




A white cotton upholstered daybed, feet and all, in this Kips Bay Show House room decorated by Stephen Mallory sometime in the 1970s.





I love this zebra print covered chair and ottoman in the apartment of decorating doyenne, Betty Sherrill. The photo was taken in 1968.




The bedroom of Jay Crawford and Anthony Tortora was swathed in a geometric-print chintz. See how the bed's short feet were fabric-covered just as the bed's box spring was?





I have always admired the East Hampton home of Harry Hinson. Ignore the crease down the middle of the photo and try to get a good look at the small upholstered slipper chair. The fabric, I believe, is Hinson & Co.'s "Merlin", a long-time favorite of mine.




The Library of a Park Avenue duplex, which was decorated in the 1970s by Arthur Smith. The green fabric that was used on the chairs and sofa add a splash of color to the otherwise brown-toned room. Smith even trimmed the legs and bottom edge of the chairs in nailhead trim.





These waterfall-style stools were completely upholstered in quilted fabric, as was the nearby sofa. (David Whitcomb, designer.)





Would you have guessed that this 1970s-era room was located in an 1882 townhouse in Savannah, Georgia? This space was a dining-sitting-garden room, which explains the choice of white fabric for the upholstery. (Home of designer Pratt Williams Swanke and her architect husband.)





So, the Crayola colors and flamestitch rug scream 1960s. Still, think about what these chairs would look like if covered in updated fabrics and placed in updated spaces. (Braswell/Cook Associates.)


Top photo of Paolo Moschino interior from House & Garden, British edition, August 2013, Paul Massey photographer; photos #2-4 from New York Interior Design, 1935-1985, Volumes 1 and 2 by Judith Gura; #5, 7, 8 from Architectural Digest New York Interiors; #6 from Architectural Digest Country Homes; #9 from Decorating American Style by Jose Wilson and Arthur Leaman; #10 from The New York Times Book of Interior Design and Decoration.

Monday, January 30, 2012

Paolo Moschino At Home




My dining room is currently a work in progress. It's not quite pulled together yet. There is the Madeleine Castaing fabric that I just purchased for my dining room chairs; it's currently rolled around a tube, propped up in the corner of the room. Then there's the unresolved issue of where to display my collection of porcelain and ceramicware. I was standing in the room the other night, peppering myself with questions. "Is it going to look too traditional?" "What's the 'Wow' moment going to be in the room?" "What can I include that will be hip and cool?"

But then I got honest with myself. Cool and wow are not only not me, they've become tired and trite. I'm over hip. I want to see pretty interiors. Rooms that look cohesive. Rooms where you don't see one crazy, show-off piece that screams "OMG! Look at me!" After having this conservation with myself, I started to think about designer Paolo Moschino's London home. I first saw photos of it in the October 2004 issue of House & Garden, and two rooms really struck me. First, that dining room. It's such a lovely and elegant room, one that must look so romantic when awash in candlelight. And then there's the rich, rather dramatic looking bedroom with those Chinese Red walls. I couldn't find my tear sheets of the home, so I visited
Moschino's website where I found the photos seen here.

After looking at the photos of Moschino's dining room again, I think that I've made the decision to stick with my original plans for my dining room. Nothing trendy, only lovely and elegant.



The two photos above show one end of Moschino's double drawing room.





The other end of the drawing room feels very different. This side is light and airy, while the paneled side feels more cozy and warm. The 1940s era pieces seen here provide an interesting contrast to the more traditional and formal furniture of the paneled side.






Two views of the dining room. To me, it feels more French than English.




A vignette in Moschino's kitchen.





Two views of the master bedroom.



The gorgeous guest bedroom.


All photos from House & Garden, October 2004 and Architectural Digest Russia, February 2009. Simon Upton, photographer.