Verdant Vistas

What a pitiful winter we've had here in Atlanta. With temperatures consistently in the 60s, I've worn my winter coat all of two times this season. Is it any wonder that this never ending warm snap has turned my thoughts to the outdoors? I'm already contemplating what I will plant on my terrace this Spring, although no decisions have been made as of yet. I'm considering buying both some tomato and Mara des Bois strawberry plants. Will this planting scheme turn out to be a folly? More than likely, yes. But let's not dwell on that. Instead, let's turn our attention to a different kind of folly, one that is far more attractive than any tomato plant. Here, a few follies and gardens scattered around Europe.


Image above: The Nymphaeum at Château de Wideville, Seine et Oise; c. 1635-40.


The ornamental and utility gardens at Château de Villandry, Indre et Loire.




Bosquet de l'Encelade, c. 1675-77, sculpted by Gaspard Marsy. Located in the gardens of Versailles




The Grand Cascade at Caserta, Naples, in the gardens of the royal residence. The gardens date to 1752-80.




The Bath of the Doves at Schwetzingen, Baden-Württemberg, in the gardens of the residence of Elector Palatine; c. 1753-80.




The Summerhouse in the gardens of the residence of the Bishop-Prince of Wurzburg, Veitschöchheim, Bavaria; c. 1763-91.




The Oriental summerhouse, also at Veitschöhheim, Bavaria. Designed in 1768 by Ferdinand Tietz.



All images from From Folly to Follies: Discovering the World of Gardening by Michel Saudan and Sylvia Saudan-Skira.

Swiss Cottage

Isn't there something so intriguing and so very enchanting about follies? These architectural gems are such unique examples of fantasy, creativity, whimsy, and well, folly. I recently read about one that captured my attention: Swiss Cottage near Cahir, County Tipperary, Ireland. The structure is considered to be an ornamental cottage, and frankly I don't know what the difference is between an ornamental cottage and folly. Perhaps there isn't one.

Built around 1810 by Richard Butler, 1st Earl of Glengall, the cottage was used for entertaining guests, although some websites mention that it was used as a hunting and fishing lodge. (One book claims it was a romantic hideaway for Butler and his mistress. This cottage must have seen many different types of recreational pursuits.) The man responsible for the cottage's design is believed to be John Nash, one of the foremost architects of the Regency period.

What caught my eye was not the thatched roof, though it is charming. Rather, I'm taken with the trellis type ornamentation on the exterior. I can't tell if it's actual trellis, or if the design is painted. The scale of the decoration is quite large; it's very early 19th c. Dorothy Draper. This type of ornamentation would be a great way to perk up a garage, a potting shed, or a child's playhouse. Or, what about painting trellis on an exterior wall that adjoins a terrace or patio? Very chic indeed.


Sybil Connolly set this table outside of Swiss Cottage, a structure near and dear to her heart. She helped to raise funds for the cottage's refurbishment back in the 1980s. You also get a good view of the charming rustic woodwork.


The dining room of the cottage still has its original Dufour wallpaper, "Scenes from the Banks of the Bosphoros". Some believe that this paper is some of Dufour's earliest printed paper. I wish I could find a photograph of the entire dining room. I'm sure the rest of the paper is just as beautiful as this glimpse.

All of this reminds me of a present day take on trellis: a Dallas entryway designed by Michelle Nussbaumer. Trellis from a garden center was painted glossy black and was affixed to the entry's white walls.



(Images 2 and 3 courtesy of Tiffany Gourmet Cookbook. Nussbaumer photo from the Dallas Morning News, Terri Glanger photographer.)

The Architecture of Joy

I just spent the weekend reading Chinoiseries by Bernd H. Dams and Andrew Zega (Rizzoli New York, 2008), a book which has generated a great deal of buzz in the blogosphere. And I just couldn't not write about it- the book is too stunning and in my opinion deserves all of the praise that it receives.

The book is a compilation of architectural watercolors of 17th and 18th c. Chinoiserie follies and pavilions in France. Rendered by Dams and Zega, the colorful paintings capture the exuberance and charm of these architectural gems. To the authors, these buildings represent "the architecture of joy". And joy is what Dams and Zega give to the reader.

Some of the buildings featured in the book were never built; the authors based their renderings on historical documents. Sadly, most of the structures that were built have been destroyed. That is such a tragedy, but I suppose we can take solace in the fact Dams and Zega have preserved the legacy of these buildings, if at least on paper.


Tartar Tent at Parc Monceau; built c. 1775. Commissioned for the Duc de Chartres, this structure was later destroyed.


Chinese Tent for Trianon Versailles. Conceived by the workshop of Jean-Baptiste Pillement in 1780, this tent, never built, was possibly designed for Marie-Antoinette's gardens at Trianon.


Refreshment Tent for Versailles. Another project that was never built, this charming tent was designed in 1779; the architect is unknown.


The Pagoda at Rheinsberg. One of the book's few non-French examples, this pagoda was built for Prince Heinrich of Prussia around 1765. Located at Heinrich's palace at Rheinsberg, Germany, the pagoda is sadly no longer standing.

(All images from Chinoiseries by Bernd H. Dams and Andrew Zega, Rizzoli New York, 2008)

Turkish Tents

After reading and posting last week about the Turkish tent inspired room designed by Renzo Mongiardino, I decided to learn more about these exotic structures. So, here is a *brief* history lesson (and I don't think you'll need that shot of espresso to get through this!).

The early Turks were a nomadic people who lived in ornate tents that were derived from yurts. This choice of abode later influenced the Ottoman armies, which were known for traveling with elaborate war tents. As the Ottoman empire expanded, and as their wealth grew, the tents became even more intricate and were often influenced by Byzantine and Persian designs. Many of them were quite luxurious (especially those built for the sultans) with elaborate fabric hangings and furnishings inside. Fortunately for us a few of these Ottoman tents survive, such as that at Wawel Royal Castle in Krakow.

In time, the exoticism and ornateness of these tents became a source of inspiration for the design of garden follies across Europe. One of the most famous is that built around 1760 at Painshill Park, Surrey, England. This tent was actually a quite sturdy structure with a brick floor, partial brick walls, and a wooden dome which supported the painted canvas. Although the original structure disappeared in the 19th c., it has now been rebuilt based on Henry Keene's original designs. Other Turkish tent inspired structures are also found at a few of the Swedish royal palaces.

Besides being an interesting history lesson, I think it is fascinating to see how these tents have inspired people through the ages. No, not many people are inclined to build a garden folly (although I wish more people would), and yes, the idea of that much fabric in one room (like Mongiardino's tented room) may intimidate some people. But there are so many other ways in which these relics of the past can influence us. Perhaps in our choice of textiles, or our use of color, or even the way we might apply a certain decorative motif. Sometimes, if we open our eyes and our minds, we can really be inspired by some of the most wonderful, and historical, things.


An authentic Turkish tent from the first half of the 17th c. It was a spoil of war from the Ottoman defeat at the Battle of Vienna in 1683. Now part of the textile collection at Wawel Royal Castle in Krakow, Poland.


Henry Keene's design for a Turkish Tent at Painshill Park, Surrey, c. 1760 (the drawing is part of the collection of the Victoria and Albert)


The restored and rebuilt Turkish Tent at Painshill Park (photographer Antony McCallum)


The Palace Guard's tent at Drottningholm Palace Park, Sweden. Built in the second half of the 18th c. (dates vary on the internet), the structure is made of painted copper.


Another copper, Turkish inspired tent at Haga Park, Sweden. It was built in 1787 to house both stables and guards.




I don't know if these tents, designed in 1971 by Maison Jansen for the celebration of the 2,500th anniversary of the founding of Persia, were inspired by Turkish tents, but this was a modern, luxurious, and glamorous treatment of temporary tent living. (Images from Jansen by James Archer Abbott, Acanthus Press).

Image at top: Franz Geffels painted "Battle of Vienna 1683" to depict the bloody battle. Notice the Turkish tents present.