Monday, January 05, 2015

Dash-ing Rugs


As much as I love the holidays, I can do without those "let's rehash the year in entertainment" segments on television and online. Honestly, I don't know how much more I can handle of George Clooney's wedding and anything having to do with Miley Cyrus. I think we should put both to rest.

Although I have no plans to write a year-end review of design, I would be remiss if I didn't mention one of the highlights of 2014: Bunny Williams's rug collection for Dash & Albert.  When I first saw the collection, I immediately thought of those snappy, modern-yet-rooted-in-tradition rugs that were used by Billy Baldwin, Albert Hadley, and Angelo Donghia.  All three designers seemed to gravitate to rugs that offered a contemporary foundation for a room's furnishings and suffused the space with a relaxed American attitude.  The same can be said of Williams's rugs, I think.  They hark back to the not-so-distant past, when American design was really coming into its own, and yet, they still manage to look fresh and of the moment. 

Alongside images of the Bunny Williams for Dash & Albert collection, I have selected photographs of rooms by Baldwin, Hadley, Donghia, and one or two others.  As far as the rugs in these photos go, what looked good forty years ago still looks good today.  In fact, I wouldn't change a thing in most of these rooms.  It just goes to show that classic design never goes out of style. 

 


Clarence Indoor/Outdoor Rug


The New York City apartment of Mr. and Mrs. Harding Lawrence, which was decorated by Billy Baldwin.


Daisy Indoor/Outdoor Rug


An Albert Hadley-decorated show house room in Southampton, New York.

 
Elizabeth Green Indoor/Outdoor Rug


The Master Bedroom in the Southern California ranch of Mr. and Mrs. David H. Murdock.  The home was decorated by Mrs. Murdock.


Elizabeth Sand Indoor/Outdoor Rug


The living room of Oscar and Françoise de la Renta.


Cleo Blue Indoor/Outdoor Rug


A McMillen-decorated apartment in Manhattan.


Lucy Juniper Indoor/Outdoor rug


An entrance hall that was decorated by Angelo Donghia.


Annabelle Moss Indoor/Outdoor Rug



A Billy Baldwin-designed living room in the Manhattan apartment of clothing designer Mollie Parnis.


Marco Juniper Jute Soumak woven rug


The foyer of Mrs. Clive Runnell's Florida house, which was decorated by Billy Baldwin.

Tuesday, December 23, 2014

Wishing You the Happiest of Holidays














As we go our separate ways for the holidays, I want to wish you and yours a very Merry Christmas and Happy Hanukkah.  A heartfelt "Thank You" for your support, your readership, and your friendship over this past year.  I look forward to seeing you again at the first of the new year. 

May the Joy and Peace of Christmas be with you now and throughout the new year.


Friday, December 19, 2014

Raoul Guiraud and Le Style Anglais


I was first introduced to the work of Parisian decorator Raoul Guiraud thanks to the cover of Le Style Anglais, 1750-1850. I admit that I purchased the book solely because of its cover, which featured a Guiraud-decorated dining room adorned with blue and white striped walls, a tented ceiling fashioned from grey fabric, and eye-catching Greek Key trim. Although I suspect that there might be some who find this room to be garish, I find it oddly appealing.  Could that bold Greek Key trim and tented ceiling be responsible for my mild infatuation with this room?

It was fitting that Guiraud's work was featured in Le Style Anglais, because like a number of mid-twentieth-century French decorators, Guiraud found inspiration in the English style, especially Regency furniture and decorations.  As the book's editor, Francis Spar, noted, "When it comes to decoration, the marriage of English comfort with French taste is quite possibly the most important event of the mid-twentieth century."  But much of the credit for this Franco-English mash-up has to go to Madeleine Castaing, who more or less made le goût anglais de rigueur in France.  According to Emily Eerdmans, author of The World of Madeleine Castaing, "Madeleine was widely credited with bringing the English Regency style to Parisian salons."  And, when discussing the influence that Castaing had over her contemporaries, Eerdmans included the work of Raoul Guiraud, who the author describes as "one of the most prominent followers of the le goût anglais craze Madeleine initiated."

When you look at photos of Guiraud's work below, you will notice that in addition to Regency Style flourishes, elements of the Empire and Directoire styles also seasoned the designer's work.  Guiraud's enthusiasm for all three styles explains his predilection for Regency furniture, tented rooms, and, most especially, the Greek Key motif.  Simply put, the man was crazy for a Greek Key border.  And finally, it seems that Castaing's influence extended to Guiraud's choice in fabrics.  In two of the rooms below, you'll see what appears to be two different Castaing fabrics: Branches de Pin, a black and white arborous print; and  Rayure Fleurie





Two different views of the tented dining room, both of which appeared in Le Style Anglais.



Also appearing in Le Style Anglais was this Guiraud-designed room. Note the gilt fillet trim at the top of the walls and the floral wallpaper border at the bottom.



In  this Paris apartment, which appeared in Comment Decorer Sa Maison,  Guiraud tented the entry hall in yellow satin.  I believe that the bench fabric is Castaing's Rayure Fleurie.  Of course, you can't help but notice yet another Greek Key border.



In the same Paris apartment, the library's paneled walls were enlivened with a black and white print fabric, according to the book's text.  I believe the fabric to be Branches de Pin.



The apartment's dining room had blue walls, according to the book.  The floral wallpaper-border baseboard looks awfully similar to the color photo that appeared in Le Style Anglais.  I wonder if it's the same room.




I find this Regency-style bathroom, which was decorated by Guiraud, to be rather extraordinary. Look at the tiled bathtub alcove, which was framed by slender columns, and its Greek Key border and overscaled urn motif.  And what about that skirted bathtub?!

Tuesday, December 09, 2014

Pondering the Next Hot Color


By now, you have likely heard that the 2015 Pantone Color of the Year is Marsala.  I typically don't give much thought to the Color of the Year, if only because I'm focused on other things.  But this year, I did slow down long enough to look at and ponder next year's hot color, and I have come to the conclusion that Marsala isn't really piquing my interest at the moment.  Although I do appreciate a range of wine tones, Marsala seems a little tepid, almost like a watered down shade of wine.  It lacks the full-bodied robustness and edge that I like to see in colors.  And, it doesn't have enough "oomph".  Shall I go on?

I'm trying to keep an open mind here, so I perused my old design books in order to find bygone examples of Marsala-accented decor.  I learned a few things.  First, Marsala is a difficult color to identify, with its slightly dusty quality making it appear quite similar to other shades of wine, red, and even brown.  Old photography makes identification even more difficult.  Also, Marsala does not seem to have been a terribly popular shade in years past.  I looked through books from the 1930s onward, and it seems that the color did make occasional appearances in interiors of the 1940s and later during the 1980s, when the Neo-Edwardian look, which embraced deep shades of red and wine, was considered quite the thing. 

You can find what I found below.  Truth be told, many of the examples are not terribly attractive, which is a shame because I prefer to feature attractive interior images on my blog.  The one image that I do find appealing is the McMillen-decorated living room.  Technically, the color in that photograph is dusty aubergine, so I don't know if it qualifies as a Marsala-driven interior or not.

And it's back to beauty later in the week.


The two images above depict 1940s interiors which may or may not depict Marsala. I simply can't tell.


A McMillen-decorated living room with walls and curtains covered in a "dusty aubergine" fabric. I believe the fabric is not deep enough to be Marsala, but it's a good looking room so I included it anyway.



Marsala might be in this Renzo Mongiardino-designed room. Then again, maybe not.




Two 1980s-era French homes, which were decorated with fabrics in shades similar to Marsala.