Entertaining à la Dorothy

It's Monday, but I'm already thinking about my weekend entertaining. Who better to turn to for a lighthearted take on design and entertaining than my gal Dorothy- Draper, that is. Here's what she had to say on the subject of entertaining one guest (but I believe her suggestions would work for two or three guests as well).

*If the meal is to be dinner then do not serve this in the dining room where you and your guest are uncomfortably conscious of being just two people in a room arranged for a larger number. Instead, have a card table set up in the living room or on the porch.


This 48" square card table and cloth from Ballard Design might be slightly large for two, but for three or four it would be perfect.

*The menu should be short, simple, and simply delicious. Every dish should count.


A nice gratin is simple, and it can be elegant too, especially when served in an Ercuis Gratin Dish. I have two of these that I use for entertaining and I absolutely love them. (Try serving Ina Garten's Seafood Gratin in one.)

*Choose flowers that are small and fragrant- lilies of the valley, white daisies with six dark red roses, or sweet smelling freesia.


I actually don't agree with Dorothy because I think you should avoid fragrant flowers on your dining table. However, this Martha Stewart Lily Centerpiece is pretty for another area of your home, and it's on sale too.

*If you want to be really festive there is nothing that looks more enticing than a wine cooler filled with ice and a small bottle of champagne, sauterne, or chablis peeping out of this, waiting to be opened.


How about this...


chilling some of this? And forget about getting a small bottle per Dorothy's advice- unless you have to go to work the next day.

*Try a combination of a turquoise-blue linen cloth with flame-pink camellias, white china and candlesticks of clear glass.


One of these blue Sferra linen tablecloths might be nice (available at F&B Specialty Linen).


And this white Augarten Opus china, available from Owen Lawrence, would look great with table linen of any color. I would love to have that covered vegetable dish- how great is that?

*Perhaps you have picked up some blue Staffordshire or old Canton china plates.... Try these on a mustard-yellow cloth with a big bunch of bluets or purple violets.


I know this table is not set with a mustard yellow cloth, but I do think it's a pretty table nonetheless. (Table set by Mrs. Angier Biddle Duke)

And most importantly:
*The same rule of careful attention to the details, simplicity, and few courses (deliciously prepared and attractively served) applies to the small informal luncheons or dinners you give. Your friends will be quick to appreciate the fact that you have tried to give them a good time. Moreover, they'll have a good time, and so will you.

(Draper tips from Entertaining is Fun!: How to Be A Popular Hostess. Duke photo from The New Tiffany Table Settings)

Parisian Hideaways

I tend not to travel in the summer because 1) it's too hot in many destinations so it's a little hard to see the romance and charm when it's a sweltering 90 degrees and 2) too many tourists on summer holiday.

Instead, I'll be taking a trip to Paris, all in the comfort of my air-conditioned home. I finally had the chance to read my copy of Parisian Hideaways: Exquisite Rooms in Enchanting Hotels by Casey O'Brien Blondes, and it's really something else. Each chapter features charming Parisian boutique hotels that are unbelievably stylish. Some are very traditional and very French while others are slightly eccentric.

Now, how many times have we read articles in which homeowners said that they wanted to duplicate the hotel look in their homes? I never understood that because isn't home supposed to look like home? Why do I want to feel like I'm living in the lobby of a W hotel? The hotels featured in this book are completely different. You will get a lot of decorating ideas from these hotels and this book (at least I did).

In addition to the glorious photos, there is interesting information about each hotel as well as lists of the hotel owners' favorite restaurants, shops, and museums. I think what I liked most about this book is what a surprise it was. A book on hotels is usually not up my alley, but when the hotels are as gorgeous as these, well, that's a different story!


Windsor Home, 3, rue Vital


Le Daniel, 8, rue Frederic Bastiat


Dokhan's, 117, rue Lauriston


Hotel du Petit Moulin, 29/31, rue de Poitou (decorated by Christian Lacroix)


Le Duc de Saint-Simon, 14, rue de Saint-Simon

(All images Beatrice Amagat from Parisian Hideaways: Exquisite Rooms in Enchanting Hotels by Casey O'Brien Blondes, Rizzoli New York, 2009)

A New Romance

For years now, I've been madly and head over heels in love with prints. I assure you that I was discriminating; don't think that I fell for every print that came down the pike. Prints by Albert Hadley, Sister Parish, Alan Campbell, and Quadrille were my passion. And I was discreet too. I had enough sense to know that one, maybe two were enough in a room. But now, I'm looking for something different. Perhaps something a little more subtle.

One fabric collection that caught my eye was Donghia's Spring 2009 offerings. The new line, the first designed by Creative Director Chuck Chewning, is all about rich color, intriguing texture, and a few soft prints. This is the type of fabric that adds sophistication and maturity to a room. The kind that forces other prints to behave themselves and not slip into immaturity or silliness.

Of course, first loves never die, and I have a feeling I'll be buried with my Albert Hadley prints, but sometimes, it's nice to explore other options.


"Hera". The hand-embroidered medallions are feminine and sweet, though certainly not cloying.


"Bell'Insetto". Hands down one of my favorites in the entire collection. The name means beautiful insect in Italian. Come on, how can a bug not be beautiful when used on silk damask?


"Cashmere Velvet Herringbone". Or maybe this one is my favorite. So luxurious and so masculine, especially with that chevron pattern.


"Ella". A bit more casual and free-spirited than the others, this textured cotton four-leaf clover print would work well in less formal surroundings.


"Encanto". The appliqué, printing, and embroidery is all hand-finished. Oh, the flowers and vines have embroidered French knots on them as well.



"Estrella". While I tend to go for richer, more saturated color, I do think the soft color palette is soothing. Don't you want to rub your hands over that texture?

Images at top: "Ripple". First, the colors are so rich and gorgeous. And that sheen!

(All images courtesy of Donghia)

Cabana Chic

While I'm on the subject of balconies... I mean terraces, I thought I'd post these photos of two cabanas installed at Trina Turk's New York store. Turk commissioned talented designer Joel Woodard to create cabanas (also known as changing tents) based on some frames that were featured in the Tony Duquette book.

Woodard tweaked the tents and made them taller than your run of the mill cabana. He used fabrics from Turk's new fabric line at Schumacher. The exterior fabric is "Peacock" in the color pool, and the interior is lined in "Zebra" in the Bamboo colorway.

How great would it be to have one of these by your pool, on your terrace, in your dressing room. I'm convinced that the tents' height will make one look slimmer, especially in a bikini!

Deadline Decorating

Am I the only person who decorates her home's interiors first and deals with the outdoor part later? For the past three weeks, I've sequestered myself inside in order to meet a few deadlines, and the entire time I kept looking out the window at my poor, neglected balcony. Wouldn't my grotto chairs look a lot nicer with a chic outdoor fabric? (They came with Naugahyde. Who the heck puts cheap vinyl on elegant grotto chairs??) How about a tablecloth for my bistro table? And trellis- that would be awfully nice.

It's really crazy that I live in Atlanta and don't have a balcony dressed to the nines. After all, it never gets too cold here, so one can entertain outdoors about nine months out of the year. I'm turning over a new leaf, though. What I realized is that the promise of a party is what forces you to get your house- and balcony- whipped into shape. Like I said a few weeks ago, I'm having a party for my sister in August (I will continue to mention this because once something is in print, you can't go back on it.) I've also mentioned it to many of her friends as a kind of save the date thing, although to me it's a "You better get your act together and finish what you've started... or else."

I've pulled lots of photos as inspiration for my sadly neglected balcony. Can I get it together in two months? Well, do I have any choice?


I've been taken with this balcony since I first saw the photo over ten years ago. The wrought iron furniture, the sculpture, those oversized hurricanes... perfection. I think I have my work cut out for me.


"Supper on a Romantic Terrace". First, can I call my high-rise balcony a terrace? It sounds much nicer. Anyway, truth be told, I wouldn't add those butterflies to my tablesetting because I just don't go to that much trouble in my decorating. However, I would add white lights to my boxwoods (that I have yet to buy), and if I had plain patio chairs I would consider painting them in faux-marbre.


I'd nix the wooden fence- for some reason, it looks a little Trader Vic's to me. But I do love those chairs and the black and white tablecloth with pink napkins. Perhaps I've found the color scheme for my party?


Obviously, this ballroom is far grander than my outdoor space, but isn't all of that treillage just beautiful?? Elsie de Wolfe designed this space for Bessie Marbury.


Awnings are always right for a balcony, and I do like those graphic stripes.

Two months and counting...the pressure is on.

Image at top: Technically, the old Garden Lounge at Hampshire House wasn't outdoors, but Dorothy Draper's handiwork could certainly work on a patio or balcony.

(Image 1: In the Pink: Dorothy Draper--America's Most Fabulous Decorator. Images 2 & 3: Tiffany Table Settings. Image 4: HOUSE AND GARDEN'S NEW COMPLETE GUIDE TO INTERIOR DECORATION: FIFTH EDITION. Image 5:Manhattan Style. Image 6:House & Garden's Complete Guide to Interior Decoration

I'll Miss You!

I'm going to have to sign off for a few weeks while I work on a project that demands my attention. If only there were more hours in the day, I might be able to work, blog, and get my trash TV fix. But, for right now, the blog and the trash TV will have to be put on the back burner. (I guess that means no Real Housewives of New Jersey, which is probably a good thing. My IQ won't suffer in the process!).

See you back here after May 18th! Don't have too much fun without me.

Orlando Diaz-Azcuy

Sometimes it's easy for the ennui to set in. You know, you see images of interiors and think "Been there, done that". Sometimes, you just want to be shown something new. Well, I found that in Diane Dorrans Saeks' upcoming book Orlando Diaz-Azcuy. Of course, Diaz-Azcuy is not a Johnny come lately. In fact, he has been in the design business for more than forty years. And while I was familiar with his name, I knew nothing about the Cuban born, San Francisco-based designer's work- until now.

I certainly wouldn't call Diaz-Azcuy's look traditional, but there is a luxuriousness to his interiors that appeals to this traditionalist. Some of his interiors are spare, some are edgy. But on the whole, they make me want to step outside of my comfort zone and try a little something new. I think that the rooms that appeal to me most, though, are the richly layered ones. There is one media room that had me swooning. Unfortunately, I can't show the image here, but trust me, it's to die for (think dark green silk walls, gold painted ceiling, and marbleized door frame).

I've long been a fan of Diane's books, so I had high hopes for her newest tome. Fortunately, the book did not disappoint. The author gives the reader great insight into Diaz-Azcuy's design process- both the nuts and bolts and the inspiration too. I love how she described Diaz-Azcuy's work as minimal but with a "touch of va-va-voom". Each chapter focuses on a specific project, including the designer's own homes, and there is also an interesting section titled "Talking Design", a conversation between the author and the designer. And the icing on the cake? Diaz-Azcuy has included a brief list of books that have inspired him. Beautiful images, a story well-written, AND a book list? What more could you ask for?

(Diane Dorrans Saeks is currently at work on her upcoming blog, The Style Saloniste. Look for the official debut in the next few weeks. I'm confident that not only will it be well-written (would you expect anything less?), but supremely stylish as well!)




This tableau seems quite poetic. In fact, it's Diaz-Azcuy's Pacific Heights penthouse. (© David Duncan Livingston, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)


A closet cum media room. Definitely va-va-voom. (© Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)


The lush outdoor terrace of one of Diaz-Azcuy's homes. (© Matthew Millman, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009)

Image at top of Orlando Diaz-Azcuy, © Tim Street-Porter, reprinted from Orlando Diaz-Azcuy by Diane Dorrans Saeks, Rizzoli New York, 2009.

I Want Everything In This Room!

I can't stop looking at this photo of antiques dealer Louis Bofferding's (former?) Manhattan living room that was featured in the 1996 book The Table. One reason of course is because the room is just so good looking- clean, uncluttered, airy, masculine, restrained, and immensely chic. What I also like about it is that there isn't a shred of mediocrity in this room. Each piece is magnificent on its own, but when mixed with other important pieces? Decorative Arts Heaven! Would you expect anything less from such an admired dealer?

When you start to dissect the room and study each piece, it's hard not to be impressed by the provenances. A 1950s Jansen table with blue steel legs. Fornasetti faux malachite plates. An iron elephant mounted on a red silk pedestal from Geoffrey Bennison (on table). A Louis XVI armchair with antique Chanel purple silk velvet. And barely visible in the far left hand corner, an iconic "Bird Table" by Meret Oppenheim, c. 1939. Yep, I swooned too. But rather than seeming ostentatious or even "full of it", the room- gold chip furniture and all- comes across as personal and well-thought out. It is truly the room of an erudite man who really knows his stuff!



This Royal Dining Table by Maison Jansen looks similar to that of Bofferding except for the legs which are black steel rather than blue. (Available at Todd Merrill Antiques)

Gold leafed Bird Table by Meret Oppenheim, available at Eccola. The listing on 1st dibs says this specific table is 21st century, so obviously this table is a much later version than that of Bofferding.

Bofferding's table was set with these Fornasetti plates. Also, you can get a better look at the Bennison piece.

A pair of Fornasetti gold and malachite plates, available at Gallery 25.

The pineapple on Bofferding's console appears to be tole. This pair of lamps from John Salibello Antiques have a similar look.

(Images of Bofferding's apartment from The Table, Diane von Furstenberg)