Although most of us spend a great deal of time emailing, blogging, and surfing the internet, we still seem to be a pretty traditional group of people. And I know that most of us own proper stationery and follow social etiquette (there are times when an email just won't do!).
One young woman who believes in the power of a handwritten note is Hanna Nation. Nation is a senior at Wofford College in South Carolina, and she recently decided to pursue her passion and create a line of stationery. (How impressive is that? When I was her age, I was worried about completing my honors thesis and planning a graduation party. A career seemed a blip way out on the horizon!) Hanna has actually created two lines: Gadabout is geared towards those of us who like design, fashion, and decorative motifs, while Gallivant stationery is more for the outdoorsy person. Obviously, I'm more of a Gadabout customer!
Hanna prints her hand drawn designs on thick 5 X 7 card stock in either white or ivory, and each set of 25 personalized cards and envelopes sells for $35. Custom design is also an option. Some of Hanna's designs can be printed with your name, while others can be personalized with your monogram (and who doesn't love a monogram!). I'm including some of my favorite selections here, but please check out Hanna's website for other options as well as information on how to order. You see, just because we may spend more time on the internet than we should, it doesn't mean we should forget our manners!
Thissur Pooram, initials placed inside print
Life Starts All Over Again When It Gets Crisp in the Fall, full name printed alongside
Fina, initials in the third lamp
Chuxi, full name printed alongside
Mahendi, intials inside the print
Initials placed inside print
Image at top: A Horse of a Different Color, initials inside the print
Last night I was searching my bookshelves for a particular book when I came across this gem- Designed for Living
It's really a jewel of a book. There are no photos in this slim volume, only charming and colorful drawings. I love the breathy excitement that Guild conveyed when it came to the "modern" look. After all, it was the 1930s, and the average American was just beginning to experiment with modern design. And have you ever noticed that many of the old books include sections on Colonial American furniture and design? You certainly don't see that in books published today. That's a look that has fallen to the wayside.
Anyway, I think the book is so fun and wanted to share some of the illustrations with you. Sometimes it's the most obscure little books that can give you so much pleasure!
"The warm tones of this Sun Porch reflect the outdoor loveliness."
"Blending of period styles makes rooms of distinctive living quality."
"Modern architecture creates new character in decoration."
"A hallway in a Colonial manner with all the quiet perfection of the period warmed and made home-like by its lovely color scheme."
I just received some photos from the recent NYBG's Orchid Dinner, and I wanted to share with you some beautiful images of tables designed by Malcolm James Kutner and David Kleinberg.
I love how Malcolm chose to work with green Cymbidium orchids, green tea roses, and liriope leaves. Yes it's simple, but so striking too. The other thing that I admire about the table are the layers. You've got elements of varying heights, discreet details (the beautifully engraved placecards), and reflective surfaces. It's the type of table that you can't absorb immediately- you have to sit there and let it soak in. This is certainly a hallmark of Malcolm's work; he prefers the subtle. And isn't that appropriate right now?
The tablecloth is Claremont's woven silk Drap de Soie in a gorgeous green with hints of bronze. The runner is a bronze document damask called Palma Damask. And see the silver candlesticks and julep cups? These are part of Malcolm's personal collection...and he chose not to polish the silver! Malcolm has no problem with his silver showing tarnish, so remember that the next time you have a dinner party and you're fretting over your silver. Maybe you should just let it go and enjoy it!
The two images below are from David Kleinberg's table. It seems that David was going for more high-impact drama, and I think he achieved it! I hope that these tables might provide a little inspiration for your next party.
I'm still working my way through Manhattan Style
What makes this home so appealing to me is the sense of elegant comfort and coziness. Yes, it is filled with distinguished antiques, but they are arranged and displayed in such a way that is hardly pretentious. This was obviously the home of a man who treasured his collections, namely his library of 5000+ books, but they weren't displayed for show. Isn't that refreshing after years of conspicuous displays of art and antiques? And the apartment was somewhat small too, but there was still a place for everything- a small dining area, a seating area, and copious bookshelves. Barrows may not have had an endless amount of space with which to work, but he still managed to create a pretty fabulous home.
I think that what I'm trying to get at is that Barrows' home is such a wonderful example of how you can live, and live grandly, on a smaller scale surrounded by things that you love. You shouldn't let your style and creativity be hampered by a lack of space or a lack of trendy objects and accessories. And stick to what you love and what you'd love to live with years from now. Would you be surprised to know that this apartment was photographed around 1990? Almost twenty years later and it still looks like a home I'd gladly live in. Just a little food for thought.
A liberal use of red can be a little tricky, but it just really works in this apartment.
The dining area within the living room. Wouldn't dinner at a cozy table like this be far more fun and lively than at a restaurant?
The Boulle cabinet that was used as honest to goodness bookshelves. Look how the books were piled willy-nilly. I'm a stickler for symmetry, but I think this looks just great.
Fine antiques were mixed with more contemporary pieces like the red upholstered slipper chairs.
Image at top: A bedroom filled with more books. This might have been a tad cluttered for my tastes, but I appreciate it nonetheless.
When I think of the olden days, I think of that episode of Designing Women in which someone said "Remember the good old days. They were old. They were good. They were days."
Seriously, certain activities seemed far more stylish back then than today. Like shopping. Going to the movies. Even going out for a cocktail or a meal. None of this tattered jeans and flip-flop business- people actually dressed up and made an effort when they went out. What happened?
I found some old images of movie theaters, restaurants, and department stores, and after seeing how glamorous these venues were, I can understand why people dressed up. You and I would if we had the chance to visit a movie theater designed by Samuel Marx. It's a far cry from our local AMC theaters with the stadium seating and surround sound. And wouldn't you want to primp, powder, puff and buff yourself before going to a shoe department decorated by architect Paul Williams?
(And I do want you to know that I try to do my part to keep up the good grooming habits of the old days. I once lived in a high-rise building where fire alarms were a common occurrence. And every time that alarm went off I always applied my lipstick and spritzed on some perfume before I made my way out of the building. Why risk my life to look good in a possible fire? I have no earthly idea, but I blame it on my mother who told me to always wear lipstick when I left the house. That's a throwback to the good old days, but it's one that I wholeheartedly adhere to-even at risk to life and limb!)
Samuel Marx designed the soigne Pump Room in the Ambassador Hotel, Chicago in 1938. The walls were cobalt blue, the banquettes white leather, and the light fixtures crystal. And if you dined at the Pump Room, you could expect this:
You'd wear a hat too if your waiter served you flaming game bird skewers with such flair!
Marx also designed the Lamar Theater in Oak Park, IL. I'd be tempted to give up my Netflix subscription and start going to the theater again if my AMC looked like this.
If the cosmetic counters at the department stores looked like Helena Rubenstein's Fifth Avenue salon c. 1948, then I would be willing to get this treatment:
Or even this one:
If only the Waffle House looked like this! (The Vienna Coffee House at the Mark Hopkins Hotel, San Francisco; designed by Dorothy Draper)
I might actually forget about the recession and buy some new shoes if shoe departments were like this one at Saks in Beverly Hills, c. 1938 (designed by Paul Williams).
Image at top: Remember when people used to dress for the theater? The last time I attended the theater, people brought in Cokes and Goobers!
I don't know much about Jay Crawford other than the fact that he was a fashion illustrator and a founder of Quadrille fabric. But what I do know is that I love his style. I first saw some 1979 images of his Manhattan townhouse (the top two photos) a few months ago and was struck by how chic the rooms still seem as viewed by these 21st century eyes. And then last night I found photos of what I believe is the same townhouse circa 1990 (check them out below). To me, both versions have that certain Billy Baldwin/Albert Hadley-esque flair. Can anyone fill in the blanks and give me more information on Crawford?
(Top two images from Architectural Digest New York Interiors
I'm a great admirer of people who have the guts to go out on a limb and do something crazy in their homes, even if it's not so very stylish. Didn't Diana Vreeland once say that it was better to have bad taste than no taste at all? One room that seems to really stir people's fantasies is the bedroom. And no, I'm not talking about those fantasies. This is a design blog after all.
Most of us have tailored, upholstered headboards and plain but appropriate bed linen. Can you imagine having one of these Baroque, bold, and over the top beds in your bedroom?? Probably not. But sometimes it's interesting to see what goes on behind closed doors.
(Image at top: I could say something cheesy like "Snare him in your web of allure", and I just did!)
Only a Hollywood actress would have an over the top bed like this. And that actress was none other than Mae West, famous for her risque one liners. When asked why the bed had a mirrored ceiling attached to it, she quipped "I like to be able to see how well I'm doing!"
Helena Rubinstein was nothing if not innovative and provocative. Here, she was photographed in her illuminated lucite bed designed by Ladislas Medgyes. The bed was only four feet wide by five and a half feet long to accommodate Rubinstein's short stature. Notice the footboard is etched with a vase of roses and an "H".
Yet another illuminated bed, c. 1936. What I want to know is...would the lighting on this bed create down shadows on your face? If so, that might not be so attractive.
Men are not always immune to the flamboyant bed syndrome. Cecil Beaton had this exuberant bed in the Circus Bedroom at Ashcombe. If those walls could talk...
