
Recently, I was interviewed for an Atlanta Journal-Constitution article on color. I was asked for my thoughts on color trends and the predictions that yellow and purple will be THE colors for 2009.
Though I don't have any yellow in my home, I heartily approve of the color- whether it's the "in" shade of the moment or not. I prefer gutsy yellows, much along the lines of Nancy Lancaster's buttah-yellow drawing room. (I recently saw the room in person, and it's far more vivid than I expected. The buttah that I grew up with is quite positively pale in comparison.) To me, the other gold standard of yellow rooms is Chris Spitzmiller's living room. The color- and everything else in it- is perfection!
In terms of purple, I am quoted as saying that I'm not a fan of purple. That is true. It's a great color, but it's just not for me. And then I went on to say that I'm mad for aubergine. The kind journalist asked me "Well, isn't aubergine a shade of purple??" Well, yes it is, and obviously I was having a daft moment. So to clarify, aubergine is one shade of purple that is very me.
But I did go on to say that I'm currently craving deeper, more sophisticated colors like aubergine, moss green, and moody shades of blue. Basically, I'm ready for some depth. And I swear it was as if Jeffrey Bilhuber read my mind. When I read my March issue of House Beautiful last night, I was giddy over his use of color in a Pennsylvania farmhouse: aubergine, kumquat, and indigo to name a few. It's a combination that just seems right for right now. As for that indigo room featured at top, Bilhuber was inspired by a similar color that he saw at Mount Vernon. (If I used it in my home, I'd have to go the high-gloss route just because I'm weak for shiny surfaces.)
I think we've all grown up a lot over the last year- we've had to because of the current political and economic climate. And I think color has matured too.
An armchair in the farmhouse decorated by Bilhuber. I adore this color; I almost want to eat it! The fabric is "Carom" from Malabar.
The kumquat/aubergine combo has some zip, especially against that blue chair frame. Bilhuber obviously has a great eye for color.
Chris Spitzmiller doesn't know this yet, but I'm planning on moving into his apartment with him. His living room is probably my favorite yellow room.
I remember being struck by this room in the Newport home of designer Meg Braff. Back in 2007, you really didn't see this shade of blue very often. It was a breath of fresh air, and it still is. The wallpaper is Farrow & Ball's Plain Stripe blue wallpaper with Stone Blue trim. The red accents look really good against that blue too.
Katie Ridder does some really interesting things with color, and I think her rooms have a lot of depth to them. Again, this room is a unique shade of blue.
(Bilhuber images from House Beautiful, March 2009; Julian Wass photographer. Image of the Spitzmiller living room from House Beautiful; photographer Tara Striano. Braff living room from House Beautiful, June 2007; Simon Upton photographer. Katie Ridder room from her website.)
Thursday, February 19, 2009
Grown Up Color
Wednesday, February 18, 2009
Masterpieces by RL Goins


Anytime I'm browsing through books on design and interiors of the 1920s and 30s, I'm struck by the bespoke furniture that filled many of these luxe interiors. The pieces were really like works of art and were usually crafted by ateliers of artisans who were skilled in all kinds of techniques and finishes: verre eglomisé; lacquering; gold leafing. And inevitably, I always wonder who are our 21st century Jean-Michel Franks and Jean Dunands? Just how many artists are there today who still have the knowledge of and the enthusiasm for this type of amazing craftsmanship?
Needless to say, I was shocked to find out that there is in fact a very talented artist and designer here in my very own backyard of Atlanta. Raymond Goins has his own atelier, RL Goins, that hand crafts furniture and accessories for clients far and wide, and I think that Ray's studio fills a void in the marketplace for high end, hand crafted pieces with panache. I recently toured his workshop, and I'll admit that I was gobsmacked by the cabinet that is shown at top. The custom "Dutch Gothic" cabinet is made of wood with hand carved shells that adorn the top and bottom. The doors feature hand-blown glass painted with a verre eglomisé, trompe l'oeil scene. Is that gorgeous or what!
Now I know that not everyone has the guts to commission a piece like this. In fact, Ray said that this was for a client with "flair". But Ray understands subtle and he's quite accomplished at that too. In addition to custom work, RL Goins has a gorgeous line of screens, tables, chairs, cabinets, and accessories that have really beautiful finishes. He also works with designers on interior treatments like murals and hand painted scenes. Oh, and he restores and conserves antiques as well. Obviously, Ray is an artist with boundless enthusiasm who has been blessed with a great eye.
(To see Ray's entire line of furniture and accessories, or to see his portfolio of custom projects, please visit his website)
I'm very much in love with this verre eglomisé "Marseilles" screen. It's absolutely gorgeous in person, and the hand painted scene of the Amazon is one of Ray's original designs. Part of the RL Goins collection.
"Fontainebleu" hand painted grisaille screen with trompe l'oeil scene of hunting implements. Original artwork by Ray. Part of the RL Goins collection..jpg)
"Albero di Vita" screen with hand painted leather panels. Ray's design features the tree of life motif and is available in other colors as well. Part of the RL Goins collection.
"Nautical" trumeau with a hand painted scene. Scenes and background color for the trumeau are customizable. Part of the RL Goins collection.
"Chelsea Urn" lamp with hand painted design by Ray. Part of the RL Goins collection.
There are also plenty of non-painted items in the collection which really allow the beauty of the wood to stand out. This trestle table has an aged tobacco finish. The neat thing about it is that you can assemble the table and break it down with your hands rather than tools...meaning that it's easy to transport outside for a picnic or some such event! Part of the RL Goins collection.

Custom designed outdoor swinging bench and chair. I'd say this is Gothic done right!
The "Paris" bed is another custom piece designed by Ray.
A custom designed vanity and mirror by Ray. The lacquered blue finish is stunning. So stunning that I'd like to lacquer my whole home in this shade of blue.
Tuesday, February 17, 2009
Thrifty Chic

Jean-François Daigre designed this tablesetting for Tiffany Taste

According to Emily Eerdmans' book Regency Redux

You can't make a silk purse from a sow's ear...unless you were Tony Duquette! He used all kinds of detritus such as vegetable strainers, golf balls, and plastic bottles to create beautiful masterpieces. Here he used Styrofoam grapefruit packing cases on the ceiling of his studio c. 1980 (image from Tony Duquette's website).
Mrs. Howard Joins the Blogosphere

Just wanted to pass along some exciting news for all of you Mrs. Howard, Max & Co., and Phoebe and Jim Howard fans. There's a new blog in town: Mrs. Howard Personal Shopper. The blog will feature articles and gorgeous photos of what's in store at Mrs. Howard and Max & Co. (And for those of you who have seen the stores in person, you know that it's like walking into the very stylish home of a very stylish person.) There will be articles about new merchandise, events held at the store, and other fun things in the world of Mrs. Howard!
Monday, February 16, 2009
Swimming with the Fishes

Back when my sister and I were young, the highlight of each Fall was our school fair. Not only was it a lot of fun, but it was also our opportunity to win a few pet fish. All you had to do was toss a ball and hope that it landed in an empty fish bowl. Much to the dismay of our parents, Laura and I had really good aim and inevitably we would come home with two or three fish. And every year, we pulled out the cheap fish bowl and deposited our prizes into that bowl where they swam for about a week until they died. During that week, Laura- the good child- took care of those fish, paid attention to them, and cleaned that dirty bowl. I immediately lost interest and was on to the next thing.
So based on my history with fish, I don't think I'm cut out for providing a proper home for the poor things. But fortunately, there are people who are not only good fish care providers but who house them in really chic bowls and aquariums. 1936 must have been quite a year for a few lucky fish who found themselves housed in some stunning fish abodes. Just look:
This aquarium was built into the overmantel above a striking streamlined fireplace.
George Frelinghuysen, Jr., a decorator, designed this entrance hall panel in his home. The aquarium was built into the panel.
Frelinghuysen also designed this chandelier aquarium for his bedroom. Attached to the ceiling by black silk cords, the bowl was open at the top, and a group of crystal prisms hung down from the ceiling and dipped into the water. I think it was electrified, but I can't tell. Between the chandelier aquarium and that bed, Frelinghuysen really created his own bedroom grotto.
If I were to own a fish, I would use the Elsa Peretti fish bowl. Actually, I might ditch the fish and use this bowl for something else- it's that fabulous! (And no, that's not a real fish in that bowl.)
(See that Schlumberger brooch at top? Now that's my kind of fish!)
Thursday, February 12, 2009
Katie Ridder Hits a Home Run

Just this past Monday, I was waxing poetic about vintage prints from the 1920s and 30s and was wondering whatever happened to the unique prints of yesteryear? Well, I just received some samples from Katie Ridder's new wallpaper line, and I think that I found those unique prints. To me, Katie's designs are vintage in spirit, but they're completely "now" too.
One thing that really struck me about the entire line is the color- it's so rich that it practically jumps off of the paper. Don't get me wrong, though. The color nor the prints knock you over the head. But these are the kind of prints that make you stand up and take notice, and isn't that nice for a change? Oh, and they're exuberant too. I think it's time for some exuberance in design. We certainly could use it!
(I scanned my samples in hopes that you could get an accurate idea of the amazing colors. For more colorways, visit Katie Ridder's site. I really recommend getting some samples so that you can see the paper in person. It's gorgeous stuff! The wallpaper is available through Holland and Sherry showrooms.)
"Leaf" in Black. Wouldn't this look great in an entryway or a powder room?
"Beetlecat" in Blue. Such a charming print, and to me it's evocative of those great 1920s and 30s prints.
"Peony" in Pink. Sweet, but not at all saccharine. A great option for those who are on the fence about florals.
"Attendants" in Pink. I think this is my favorite print- I adore it!! Those wonderful shades of pink against the gray background are stunning.
"Moon Flower" in Red. Great color combination, and the metallic pattern on the moons adds some gleam.
"Oiseau" in Chocolate. For those who like more subtle prints, this one is for you.
Image at top: "Seaweed" in Green. This print has a Deco vibe to me. Beautiful!
Wednesday, February 11, 2009
What a Swell Party This Is

It's so funny to read cooking and entertaining books because people seem to have such differing opinions on cocktail parties. There are those who are adamantly opposed to such a form of entertaining. They find the affairs to be dull and boring or too business-like. Then there are others (myself included) who enjoy drinks parties whether as the host or the guest.
The reason I like to give cocktail parties is because they seem to inspire a sense of conviviality. Loosen people up with a few drinks and who knows what might happen! (And inevitably, things do happen...like walking into a room and finding two guests in an amorous embrace. To me, that's far more entertaining than having someone spill red wine at a party!) I don't really think it's a cop out because at least you're entertaining.
To me, drinks of the alcoholic and non-alcoholic variety are of utmost importance, but food is a close second. You want to have a little variety with some light nibbles and something heavier to help sop up the alcohol. And remember, in their treatises on entertaining, Elsie de Wolfe, Dorothy Draper, and Elsa Maxwell all admonished their readers to serve hot hors d'oeuvres HOT, HOT, HOT!
Want to know what London society was serving at their cocktail parties in 1935? Well I came across this gem from Vogue (Dec. 1935), and it proves that entertaining was serious business back then just as it is today.
Nowadays, the high point of any cocktail party is not so much the cocktails as the food that goes with them. Imagination about cocktail party food has become an absolute necessity- and to copy your clever friends the sincerest form of flattery. At this time of the year some hot food is essential- but nothing so unimaginative as hot sausages. They are out of date, back numbers. You must think up something different. The Prince of Wales has hot buttered American soda biscuits, with cod's roe, served in hot silver breakfast dishes, and creamed shrimps in little pastry containers. Mrs. Maugham has hot bacon sandwiches, which disappear as fast as the cook can make them. Lady Portarlington has a cocktail size edition of a hot meat pie, which nobody else has yet thought of (have you ever noticed that it is always the same people who think of the new things first?). Of course, it would be Mrs. Ernest Simpson who first thought of the wonderful combination of seeded white grapes with little cubes of Dutch cheese, stuck through with a wooden toothpick. Mrs. Simpson's food is of such a high standard that the intelligent guest fasts before going to dine or to have cocktails with her. Her hot dishes at cocktail parties are famous and are passed around in small quantities at intervals.
(Isn't it interesting that back in 1935, a grape and cheese pick was considered novel? And that it was none other than Wallis Simpson who introduced it to the London swells?!)
Image at top: The iconic "Kings of Hollywood" photo by Slim Aarons. No, Gable, Heflin, Cooper, and Stewart were not at a cocktail party, but if your guests end up having half as much fun at your cocktail party, then you're a heck of a host! (Photo Slim Aarons/Getty Images)
Monday, February 09, 2009
Fabric Frivolity

Though my favorite kind of prints are geometrics and small patterns, I am taken with novelty prints- but none of those cheesy novelty prints, thank you very much. Some of my favorite novelty prints are from the 1920s and 30s. If they have a Deco vibe to them, then all the better. The problem that I have with many of these prints is that they can be difficult to use. Much better to use them on pillows or seat cushions rather than on large scale projects like curtains or sofas.
I recently became reunited with my copy of a Victoria and Albert book on novelty fabrics, and most of the patterns featured were dress fabrics. Aha! That's the way to use these prints. Carolina Herrera used some novelty prints in her Spring collection a few years ago, and the effect was utterly charming. Of course, you wouldn't want a closet full of these prints. That would be far too whimsical and would make mixing and matching way too difficult. But still, can't you see having a Summer dress made from one of these breezy fabrics? 
"Sea Horses", cotton, Calico Printers' Association, England, 1936
"Gentlemen Prefer Blondes" designed by Ralph Barton, crêpe de Chine, American, 1927. (Though I am a brunette, I do find the humor in this print!)
"Surfers", cotton, English, 1937
"Mothballs and Sugar", designed by Edward Steichen, crêpe de Chine, American, 1927
Image at top: "Masks" designed by Jean Cocteau, silk crêpe, French, 1938
Thursday, February 05, 2009
Mining the Middle Ages for Inspiration

I've never been one for the medieval look. And I never thought about crenellations until Frances Elkins: Interior Design came out a few years back. I fell head over heels for this bedroom above. Used by David Adler when he visited Elkins' Monterrey, CA home, the room had a crenellated bed canopy and window valance. How chic was that? And in Elkins' deft hands, the room did not look like King Arthur inhabited it!
Now obviously no one would want to go crazy with crenellations or your home might end up looking like a medieval castle. But, one crenellated object never hurt anyone. After all, Elkins and Adler gave it their seal of approval!
In case you're wondering what a crenellation is, Merriam Webster has this diagram on its site. The number "1" indicates a crenellation.
Crenellated mirror by The Squires Company, available through Decorati
Castellated Bracket Lantern by Charles Edwards. Seeing this fabulous lantern yesterday set me off on this whole crenellation tangent.
Crenellated nailshead design on these custom chairs by Ceylon et Cie
A modern twist on crenellations on this 1960s table at Ellen Ward Scarborough
Of course the classic Monteith bowl has crenellated edges. This one by Tiffany & Co.