David Mlinaric on Decorating

Until recently, I was only mildly familiar with David Mlinaric. OK, actually, I only recognized the name and that was it. So when I heard that there was an upcoming book about the British design legend, I was intrigued. I just got through reading Mlinaric on Decorating (by Mirabel Cecil & David Mlinaric), and I must say that I got the same feeling that I did when I first read one of David Hicks' books. I can't really tell you why, but I suppose it might be because I kept wondering, "Where has this man been all of my life?"

Mlinaric is considered to be one of the top British decorators of the second half of the twentieth century. (And he still is today seeing that he's only 69.) He has had clients ranging from Mick Jagger and Eric Clapton to Lord Rothschild. I think what amazes me about his work is his range. He's done mod and hip, shabby traditional, and clean contemporary, and all of these looks are included in this book. And Mlinaric seems just as comfortable redecorating the great properties of the National Trust as he does designing the interiors of a London flat.

It's really a shame that Mlinaric does not have the name recognition here in the States that he does overseas, but I do hope that this book remedies that. With page after page of photos of exquisite interiors, this book just might have you too wondering why you're not familiar with this talented man. I think that after reading this book, you will be glad to make the acquaintance of this remarkable designer. I know I was.



Mlinaric's studio at No. 33 Tite Street, Chelsea, c. 1960s


The dining room at the Tite Street studio. To me, this room is reminiscent of David Hicks- maybe it's the banding on the walls.


After John Fowler's death, Mlinaric became adviser to the National Trust. Mlinaric was responsible for the redecoration of the Assembly Rooms in Bath. This is a shot of the ballroom, the principal room of the Assembly Rooms.


The guest bedroom of an 18th c. Loire chateau, decorated between 1986 and 1991. The walls were hand-painted to look like cloth hanging from brass rails.


Glebe House, Chelsea, c. 1981-83

What Michael Devine Did This Summer...

Michael Devine has certainly been a busy man. First, his fabric line is now being represented in New York, New Jersey, and Connecticut by John Rosselli & Associates. And even better, Michael has just introduced new additions to his fabric line. I'm crazy about the new prints, especially "Dottie", seen above at the far left. (Doesn't it look like a print that Albert Hadley might use?). Michael was kind enough to send me some photos of the new fabrics, and the charming vignettes have convinced me to hop the next train to Kinderhook, NY to visit his shop in person!

(For those of you in Atlanta, Michael's fabric is available at the Jerry Pair showroom.)









Michael used his "Dottie" print on this notepad and pencil cup, available on his website.

Gourmet Tablesettings

Well, time got away from me yesterday so I don't have a proper post for you today. But no matter how busy we are, we can always take the time to pore over a few beautiful images. Let's see how some of our favorite designers and style-setters set their tables circa 1992. (All images from The Tiffany Gourmet Cookbook)


Countess Alba Giannelli-Viscardi


Anoushka Hempel


Comtesse Sheila de Rochambeau


Valentino


Bill Blass


Maxime de la Falaise

Blogging Pink for a Worthy Cause

In honor of Breast Cancer Awareness month, many design bloggers have decided to post Pink today. So, in support of a very worthy cause and in the spirit of camaraderie, I decided to mine my trove of vintage magazines for pink images. We've all heard that pink is a universally flattering color, and if it works on your face then why not on your walls, beds, and furniture too? And pink is not just for women either. Men seem to love it too.









Image at top courtesy of Conde Nast Store

Grant Gibson, Sacramento Street, and a Rant

Seeing that we have no gas here in Atlanta, I've had to severely limit my running around. I use very little gas as it is because I live in the heart of the city and I don't drive an SUV. But still, it's chaos here with people spending all of their time driving around and around trying to find gas. And when you do find it, you have to wait in line for HOURS. It's absurd. Absolutely maddening. And on top of that our governor is in Europe and seems to be doing little to solve this mess. Needless to say, I'm staying close to home and to the office knowing that the situation may not improve for another few weeks. (That's the rant.)

So, my shopping and browsing is now limited to the internet. It's not as gratifying as the real thing, but it will have to do. And the timing couldn't have been more perfect to do a little vicarious shopping with Grant K. Gibson.

I've admired Gibson's work for some time now. The San Francisco designer aces that fresh and clean traditional look with some gusto thrown in for good measure . Recently, Gibson was featured in a California Home and Design article (Oct. '08) extolling the virtues of the shops of Sacramento Street. He's definitely the one to ask. After all, his design studio is located on Sacramento.

I always make a point to visit the Sacramento St. shops during my twice yearly visits to San Francisco. There is something about that street that is so appealing to me. It's not frenzied nor frenetic but rather low-key and charming. In fact, during my last trip there my sister took me to a very trendy, still rather gritty part of town to visit some hip design stores. I took one step out of the car, assessed the situation, turned on my heel and said "May we please just get back into the car and go to Sacramento Street?" What can I say? I'm a creature of habit- and comfort.

There is legendary shop Sue Fisher King- one of my favorites for linens (Porthault included), tabletop, and accessories. And of course there's Kendall Wilkinson Home. These too are favorites of Gibson. But another Gibson recommendation is new to me: Ribbonerie. Gibson suggests shopping there for ribbon for pillows or lampshade trim. Who doesn't love a good ribbon and trim shop?

And one more gem- Birch, a floral shop with a black interior (almost like a retail version of Mrs. Delany's Flowers!) Gibson likes the shop because the black walls make the flowers pop.

So for those of you whose style is being cramped by the gas shortage or those who just want to spend some time looking at beautiful things, visit Gibson's site and those of the featured shops for a little inspiration.




A few glimpses of Gibson's portfolio.


These are the types of beautiful things you'll find at Sue Fisher King


A view inside of Kendall Wilkinson Home


This is just one of many ribbons you'll find at Ribbonerie (both in their store and online.)


A floral arrangement by Birch

Image at top: Gibson about to embark on some Sacramento Street shopping with the doggies. (Photograph by Jen Siska)

Have I Been Under a Rock??

How did I miss this?? William Yeoward has a new book coming out at the end of this month (meaning tomorrow!)- William Yeoward on Entertaining. I loved Yeoward's first book Perfect Tables as it has provided me of lots of inspiration for styling my table.

According to the publisher, the book will feature 21 table settings AND menus, including Breakfast for Two and a Boating Lunch. Reminds me of my beloved Tiffany Gourmet Cookbook and Tiffany Taste from the 1980s!

Relishing Regency Redux

On to another book review...

I have posted a few articles about my anticipation of the release of Regency Redux by Emily Eerdmans. And now that I've received my advance copy, all I can say is "instant classic". I'm actually suffering a bit of those post-reading doldrums- you know, that down feeling you get when you've finished a book that was pure joy to read. No matter because I might just read it again this week!

Eerdmans begins her book by giving the reader a brief history of the English Regency and French Empire styles- an important starting point as the 20th century interpretations of Regency are based on these two similar styles. Then, it's on to explore all of the different sub-genres of 20th century Regency. There's Neoclassical Moderne, Vogue Regency, Hollywood Regency, and Decorator Regency. I'm being a bit vague here as I don't want to spoil it for you, but let me just say that each distinct style is explored in great detail- and with copious amounts of scrumptious photographs (meaning... I want the furniture and interiors featured in this book.)

Also, the gang's all here, with Draper, Fowler, McMillen, Maugham, Arbus, Leleu, and others being prominently featured. And as the Regency look played such an important role in Hollywood cinema of the 1930s and 40s, there are scores and scores of movie stills that are a delight to see.

Now, I must say that I was prone to like this book as 1930s and 40s design suits my aesthetic. But no matter what your style is, if you're interested in classical, modern, traditional, stylized, theatrical or sophisticated interiors, then you too just might find this book to be as captivating as I did. Regency Redux is a must-have for any design library.


A still from the 1932 movie Transatlantic, which won an Oscar for art direction. The look here is referred to as "Deco Greco".


Another still, this time from the 1935 movie No More Ladies (appropriately named as Joan Crawford starred in it!). Eerdmans makes note of the Regency swags and the Neo-Grec furniture in this room.


Can you tell I'm a sucker for old movies??? Here is an image from the 1945 movie Week-end at the Waldorf. Wouldn't you have liked to attend this staged cocktail party??


The Palm Beach resident of Mrs. Hugh Walker Mercer, designed by Ruby Ross Wood. Wood is one of my all-time favorite decorators (and she was a Georgia girl too!).


A room designed by McMillen for Millicent Rogers... a match made in heaven. Note the Neoclassical details in the room.

Marie Antoinette and the Last Garden at Versailles

Attention all Marie Antoinette fans! (Oh yes, and you Francophiles, gardeners, and historians too!) There is an upcoming book release that you must not miss. Marie-Antoinette and the Last Garden at Versailles (Christian Duvernois author, François Halard photographer, Rizzoli New York, October 2008) is an enthralling look at the doomed Queen and her gardens at Petit Trianon, the royal retreat at Versailles. Now, I'm familiar with certain aspects of Marie Antoinette's life, but I knew little about her involvement in the creation of the glorious gardens at this chateau. Marie Antoinette had a keen interest in gardens and the pastoral life (albeit a luxurious one), and she was determined to create a landscape like no other.

According to the book, there was great debate in mid to late 18th century France about formal gardens versus more naturalistic ones. Louis XIV's Versailles was of course noted for its rigid gardens designed by André Le Nôtre. But by the time Louis XVI ascended to the throne, there was a growing group of aesthetes who championed gardens and landscapes that were more loose and natural. And Marie Antoinette fell into this camp. When she became chatelaine of Petit Trianon, she set out to create a Franco-Anglo-Chinese garden complete with man-made lakes, ridges, and vistas. To me, the most interesting parts of the gardens are the structures that were built, including the Dairy House, the Tower of Marlborough, the Hamlet, and the Rock- a folly meant to resemble the mountains of her Austrian homeland.

The text of the book, written by Christian Duvernois, provides us with an engrossing account of how these magnificent gardens came to be. I think the author does an excellent job in helping to correct the misconception that Marie Antoinette was simply a vacuous and supercilious woman. And for those who can't get enough of beautiful photographs, there are plenty of those too. François Halard's haunting images capture the awesome splendor of this thoroughly unique place.




A bust of Marie Antoinette by Louis-Simon Boizot (c. 1775)


A view of the French Pavilion at Petit Trianon. The pavilion, designed by Ange-Jacques Gabriel for Louix XV, anchors the main axis of the French Garden.


The ornate interior of the Queen's Theater. The plain exterior of the Theater belies the sumptuousness of the interior.


A marble fountain inside of the Dairy House. The walls were painted in trompe l'oeil to resemble real marble.


Vibrant pink roses in the Queen's gardens.


A view of the Dairy House (right) and the Tower of Marlborough.

(Photo credits: François Halard from Marie Antoinette and the Last Garden at Versailles, Rizzoli New York, 2008.)