Billy Haines on Ice

Let's start our weekend with a big dose of glamour... as in these wild acrylic Ice Sconces designed by Billy Haines. Although the faceted acrylic pieces were created in 1953 for the May house of Holmby Hills, CA, they seem reminiscent of 1930s Hollywood. I like that the facets are rather aggressive- it's like a combination of Joan Crawford's brash personality and Carole Lombard's feminine allure.

The sconces have been reissued as limited editions and are sold as opposing left/ right matching pairs.

(Contact William Haines Design for more information- (310) 289-0280)

Spatter Pattern

And no, it's not the spatter pattern that is discussed so frequently in episodes of "CSI". It's "Spatter", and it's one of my favorite Hinson prints. Designed by Harry Hinson in 1974, the print was inspired by the spatter motif found often in Colonial ceramicware (this according to a 2001 New York Times article). The article also mentioned that it's a print that counts Albert Hadley and Jeffrey Bilhuber amongst its fans. I've also read that Billy Baldwin used it in his Nantucket home, but I can't find a photo.

So, just where can you use a print like "Spatter"? Well, Harry Hinson used it in his East Hampton home (shown above), and I was thrilled to see it in another Hamptons house designed by Tom Scheerer (and featured in the August '08 issue of House Beautiful). But I do think you can use it in a city home too. How about in a powder room? Or a kitchen? Just think of "Spatter" as a modern take on early Americana.

And speaking of Americana, I was curious about Hinson's supposed inspiration for this print. Just what was spatter and how was it used during Colonial times? Well, one of the prime examples is spatterware. According to a ceramic curator at Winterthur, spatterware was originally manufactured in England where it was known as spongeware. As spongeware was not particularly popular in England, most of it was shipped to the American colonies where it became known as spatterware. And it was here in America where spatterware became extremely popular, especially amongst the Pennsylvania Germans. Sponge and spatter painting was also used on furniture, walls, and floors during this era.

So although I can't corroborate whether Hinson was actually inspired by spatterware or not, it's something to ponder. If you would like to learn more about spatterware, you should visit Winterthur. Henry Francis du Pont was a major collector of it, and there is a magnificent display of his collection in Spatterware Hall at Winterthur. Or you can read more about his collection here in an interview with du Pont's daughter, the lucky recipient of some of her father's collection.


(Many thanks to everyone at Winterthur for assisting me in my research of spatterware.)



Two images of Scheerer's fabulous wallpaper selection for an East Hampton cottage (image from House Beautiful, Aug 08; Simon Upton photographer).


A Spatterware platter, c. 1825-1855, Staffordshire England. Does this not look modern to you? Bequest of Henry Francis du Pont; image courtesy of Winterthur.


Spatterware pitcher, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Image courtesy of Winterthur.


Four examples of Spatterware jugs, c. 1825-1855, Staffordshire England. Bequest of Henry Francis du Pont. Photo courtesy of Winterthur.

Image at top: "Spatter" in blue and white on the walls and curtains of Harry Hinson's East Hampton dining room.

A Big Thank You...

to Penelope Green and the New York Times for including me in their article on Fall picks from bloggers. It was a real honor to be included with Apartment Therapy, Hollister Hovey, Cool Hunting, Design Sponge, MoCo Loco, and UnBeige. (I think Hovey and I are the traditionalists of the group!) And believe me, it was tough to narrow down my favorites for Fall- there are so many great new fabrics and accessories on the market today.

Click here to read the article.

Print Prozac

I was so excited to open the October issue of House Beautiful and see an article on "Happy Prints". Because you see, this is totally me. As I'm writing this post I'm sitting in my bedroom, and it's depressing me terribly. The walls are coated in wallpaper primer which make them look cold and sterile. I am counting the days until my wallpaper- yes, a print- arrives so that my bedroom can be transformed into a room that makes me feel chic and happy. In the meantime, I have to get up and run into another room to look at color and my other prints for a temporary lift.

I adore prints that have pep and spunk. I love prints that make you stand up and take notice. Of course I do believe in the old adage to beware of too much of a good thing. In fact, my love of prints has forced me to be a ruthless editor. I've got so many that I would love to use but... not enough space and too little time.

The way I work with happy prints is by toning them down a bit with the use of sophisticated color. Because my other love is color. I absolutely cannot live without it. The irony of it all is that I don't wear color. Occasionally a little pale blue, but mostly blacks and grays. Not only is this practical, but it makes me feel elegant too. But in my home I prefer prints with pizzazz combined with rich color. And when I say rich I don't mean bright, because that's not me either. I'm thinking creamy blues, mossy greens, aubergine, even powdery pink.

Now, I'm not immune to the charms and the quiet elegance of a neutral room. In fact, one of my very favorite Billy Baldwin rooms is one that is rather monochromatic and neutral. But for my own home? It's all about color and prints. Because at the end of the day, that is what makes me happy.


Chinoiserie prints always make me sing, especially those that are not so serious. I have two chairs upholstered in "Ping" (Scalamandre), and they make me very happy.


And all of Sister Parish Designs' prints are upbeat, especially "Chou Chou"


How about Meloire Reverse from Quadrille/Alan Campbell? This might just get your mind off of the economy- at least temporarily!


"Asparagus Plaid" by Brunschwig is such a funny print. While it's not my style, I can definitely see where it might make others smile.


Again, not a print for everybody, but it might be just the thing for a porcelain collector. "Imari Trophy Plate" by Carlton Varney


Prints don't have to bold, colorful, or whimsical to make you happy. I used this Tyler Hall print- "Exeter"- in my old powder room, and it gave the room some flair... which in turn made me happy!

Image at top: A room designed by Albert Hadley- in my mind, the pied piper of the happy, handsome, and understated print. His fabric and wallpaper for Hinson is by far my favorite.

A Lot is Cooking in California

There is certainly a lot going on design-wise in California right now. So much so that it's becoming difficult to stay on top of things out there. First off in Los Angeles, those gurus of fabulous furniture David Serrano and Robert Willson of Downtown have started a new venture- Outside Downtown. The shop's aesthetic is warmer and a bit more casual- perfect for beach or country houses. Think lighter finishes and stain resistant fabrics. This is definitely my idea of relaxed glamour (All images at top are shots from Outside Downtown.)

And further up north in San Francisco is designer Kendall Wilkinson. I always make sure to stop by her shop on my twice yearly trips to San Fran. Wilkinson is set to launch her Home collection which will include a bright blue leather tufted chair (which I believe is similar to those she featured in her show house room a few years ago) and a glass and lucite table- very glam. Wilkinson also has a wallpaper and fabric line in the works. I'd say she is definitely a designer to watch.

So... have you booked your trip to California yet?


A vignette of Wilkinson's shop


The soon to be famous blue leather tufted chair, inspired by one designed by Albert Hadley


Another shop vignette


Part of Wilkinson's new Home collection- a glass top table with a lucite base.

Hot Off The Presses!!

Well, not quite yet, but it's big news nonetheless. I just found out that Emily Eerdmans, design historian and author of Classic English Design and Antiques and the upcoming release Regency Redux, has inked a deal with Rizzoli to write a monograph of that rather mysterious and iconoclastic decorator Madeleine Castaing. Are you as excited as I am??

"The World of Madeleine Castaing" is scheduled to be released sometime around Fall 2010, and Jacques Grange has agreed to write the foreword. All I can say is that it's about time.

Let's get ourselves in the mood for the book by looking at images of Castaing's Paris apartment. As Emily notes, visitors to her homes felt as though they were stepping into a Balzac novel. I can certainly see why.

A New Chapter...

I've long admired Charlotte Moss. Of course as this is a design blog, I've talked many times about her style, her panache, and the gorgeous environments that she creates. She is such a talented woman. But there's more to it. She has business savvy and a vigorous work ethic. Interestingly, for someone whose aesthetic is rooted in tradition, she is a thoroughly modern woman.

As some of you may know, Moss recently made the difficult decision to close The Townhouse later this year. For those of you who have had the opportunity to visit it, you know that it is like no other store around. A few days ago, I spoke with Moss about the Townhouse, and she admitted to me that it was a decision that was not made lightly. One of the issues that many of us face is the lack of time to pursue new opportunities, to fully invest our energy and creativity in our current endeavors, and to spend time with family- in Moss' words, not being able "to have time to smell the roses". And this was just the problem that Moss was facing. With her career as a designer, a writer, a philanthropist, and a retailer, life was becoming a bit crowded. As she told me, she wanted the time to enjoy the process of retail, but career demands were making it difficult.

So while the Townhouse may be closing, it's not really going away. In fact, it's going virtual. We'll still be able to buy Moss' china, linen, and those gorgeous accessories on her website... and now we won't have to travel to New York to do so! Moss also told me that she plans on adding more editorial to her site, recognizing the popularity of the online design community.

Oh, and about that Charlotte Moss work ethic? She's working on a few books as well as adding products to her fabric and china collections. And she's still designing and decorating. It sounds to me like she's doing exactly what makes her happy!

House Proud: Nineteenth Century Watercolor Interiors from the Thaw Collection

Oh, to be in New York right now attending the House Proud exhibit at Cooper-Hewitt. Hopefully I'll get the chance. But in the meantime, I did find some images on the web.

The exhibit celebrates the impressive collection of nineteenth century watercolor interiors assembled by Eugene V. and Clare E. Thaw- one of the largest of its kind in the States. The rendered interiors include rooms at Carlton House, Buckingham Palace, and Schloss Fischbach (the paintings put my small collection of anonymous watercolor interiors to shame!) On display through January 25, 2009, the show is sure to be of interest to you collectors or those interested in design history.

(For additional reading, you may want to consider House Proud, the companion book to the show. I've got my copy on order. Thank you too to a few readers and Paul Pincus for alerting me to the exhibit.)


The Dressing Room of King Ludwig I at the Munich Residenz; Franz Xaver Nachtmann, Germany, 1836.


The Japanese Salon, Villa Hügel; Rudolf von Alt, Austria, 1855.


The Chinese Room in the Royal Palace, Berlin; Eduard Gaertner, Germany, 1850.


The Blue Room, Schloss Fischbach; Carl Friedrich Wilhelm Klose, Germany, 1846.

Image at top: The Circular Dining Room at Carlton House; Charles Wild, England, 1819.

Windsor Smith on Design

Windsor Smith is a designer whose career is on fire. In addition to her interior design work, she just debuted a fabric collection, a furniture collection, and a rug line as well (whew!). I recently had the opportunity to speak with Windsor and it was quite a treat. Her personality is as warm and sparkling as her interiors.

To borrow the tagline from the National Enquirer, "Inquiring minds want to know", and that's the way I feel about design. So I decided to get Windsor's thoughts on anything and everything design related.


On Her New Fabric Line:
Windsor's new fabric line for Kravet has received rave reviews, and it's not hard to see why. The fabrics that caught my eye were her bold and graphic prints. But don't think that these are "in your face" prints. Windsor likes the snap and pop of strong pattern, but she chose to render them in soft colors like celadon and clove. And she wisely chose to use no more than two colors per print. The result? Prints that are classic and easy to live with. (Fabric available through Kravet showrooms and through her website.)

"Insignia" in Seafoam


"Continuum" in Chestnut

On Mixing Prints...With Style:
One question that I am asked often is how best to mix prints. I'll be the first to tell you that I'm not completely comfortable with doing this myself. Fortunately, Windsor shared some tips. First, mixing florals can be difficult, so you might want to stick with just one. Also, stripes, especially tone on tone, can work with a variety of prints. And if you're mixing multi-color prints, proceed with caution! Windsor advises using no more than two. Interestingly enough, Windsor gives the green light to mixing vintage fabrics, saying "anything goes". Her rationale? Vintage textiles become found objects and art and should be displayed almost like a collection. In her mind, Lynn von Kersting's work is a great example of this kind of mix.

See how well this gray and white striped fabric works with the pink and white paisley print? Windsor obviously practices what she preaches!


And look at the smashing combo of the green tonal stripes with the punchy pink print.

On White... and Blue:
It seems that every designer has one color which they add to every room. For Albert Hadley, it's red. For many others, it's black. For Windsor? White! As she says "the absence of color makes other colors sing!" That said, she also admits that she has a weakness for blue.


Blue and white in an East Coast Traditional home à la Windsor Smith.

On the Stars of her Collection:
So unless you've been hiding under a rock, you know that Windsor recently introduced her new furniture collection. And just what are her picks for the stand out pieces?


Brittany Secretary. Works as a TV cabinet, desk, or in bathrooms to hold makeup and towels.


Slim Chaise. Looks especially good nestled at the foot of a bed.


Entry Round Settee. Looks very "Grand Hotel" to me!

On Her Dream Clients:




(Jane Birkin- in case you're wondering)




Legendary style icon Slim Keith

On Her Current Favorite Design and Architecture Books:


An Affair with a House


Vogue Living: Houses, Gardens, People

On the Details that Make a House a Beautiful Home:

1) Art and found objects that reflect the personality of the homeowner
2) Large bundles of the same type flower in a casual vase
3) Lighting that makes a room come alive day and night
4) Floor plugs




Windsor has some wonderful Found Objects for sale on her website, including this Early Chippendale Table and the Antique French Fireplace Canopy

On the Future:
So what's next for Ms. Smith? Plenty. She's working on some amazing projects including a late 1940's equestrian estate. And, big things are in the works for her website. In addition to her online shop, there will be decorating advice, newsletters, and video. I'd say Windsor is in need of a vacation.