In with the Old, In with the New

A few months ago, the New York Times published an interesting article on Newport, Rhode Island society decorator John Peixinho. I was really quite curious about him as he counts the inimitable Oatsie Charles as a client. In fact, Peixinho upholstered Charles' late husband's Barcalounger in a Scalamandre Chinoiserie print. Now, how can you not like the decorator who adorns the 800 pound gorilla in the room in Scalamandre?

So it was interesting to see the recent article in House Beautiful (Jan. 08) about Peixinho's own home in Newport. The 1730 house is owned by the Newport Restoration Foundation, which strictly limits what Peixinho can do to the house (i.e.- no painting!). It seems, though, that Peixinho overcame these restrictions by filling the home with pieces that he loves, and this to me is what makes the home interesting. Amongst the Chinese export, the Hitchcock chairs, and other antiques are more modern pieces- a bright yellow Bungalow 5 coffee table, contemporary paintings, and mirrors from Ballard Designs.

It's this mix of the old and the new that I find inspiring. I've been fortunate enough to receive some early American antiques from my parents, and will inherit more some day. As much as I adore these antiques, I don't actively collect early American. But that's okay because they work with my other furniture. I'm here to suggest that with a little imagination and a critical eye, you can mix American antiques with Louis XV chairs or 1930s furniture for example. And really, isn't this the modern way of living?


The card room with the Ballard Design mirrors and newly painted Queen Anne Chairs.


Another view of the card room with a modern painting.

Covetable Pieces

How many times do you see something in a designer's home and think "That's perfect! Just what I've been looking for." As I wrote in a previous post, I say this often when I look at photos of Albert Hadley's homes. I want everything he has! But Hadley is not the only designer with a good eye. Here are some other pieces that I covet:


Markham Roberts designed these faux-horn etageres (which technically are not in his home, but you get the idea). They look like something Billy Baldwin might have used. I'll take two please!


I've admired this table, designed by Alexa Hampton, for years. It has a marble top; it's painted with a Greek Key- what's not to love?

This little shell encrusted turtle candlestick has been seen in many fashionable homes. Made in France and sold at one time through Hollyhock (sadly, I don't believe anymore), these turtles are examples of whimsy done right:


In the home of Joe Nye


And at Todd Romano's home


Don't forget about Christopher Spitzmiller's coffee table

And can anybody tell me where I can find one of these glazed urns? Miles Redd seems to use them in many of his projects, and all I know is that I want one!


In orange on Redd's bar


And in blue in Redd's old apartment

Paisley with some Punch

Here's an early Valentine's present: red and white paisley. I'm seeing it everywhere, and it's not hard to understand why. When rendered in red and white, paisley becomes clean, crisp, and graphic. Alessandra Branca has used it in her office (above), and it's the perfect backdrop for black and solid red accessories. And designer Kim Zimmerman used only red and white prints (including a paisley) from Les Indiennes in this Atlanta living room below. Bottom line- it's a great way to add some zip to one's room.



Design by Kim Zimmerman (photo from Cottage Living, Jan/Feb 08; photographer Jeremy Samuelson)


"Paisley Linen" in Brick, Suzanne Rheinstein for Lee Jofa


Paisley Print from Les Indiennes


"Paisley Park" in Garnet from Lewis and Sheron


"Spiral- Lipstick & White" from Buy Fabric

Image at top from Traditional Home, Dec 07.

Merry Christmas

To each and every one of you, a very Merry Christmas. I hope your holiday is full of happiness and joy!

And I look forward to seeing you later next week!

(Christmas greeting above courtesy of Bernard Maisner)

Kazumi Yoshida

Clarence House has long been known for its gorgeous fabric and wallcovering, but some of the line's most inventive prints over the past twenty years have been designed by Kazumi Yoshida. A renowned textile designer and multimedia artist, Yoshida also serves as design director for this venerable textile firm. Yoshida's prints, most of which incorporate bold and unusual colors, have a charming, painterly quality to them. And while many of the prints are quite contemporary, some of them have an Art Deco feel to them. Yoshida is also the mastermind behind the print "Flowering Quince", a much loved print that has been a hit in the blogosphere.

If you're an avid Kazumi Yoshida fan, you might be interested to know that he has designed a limited edition bottle for Estee Lauder Pleasures which will be available in January 2008.


"Flowering Quince"


"Las Palmas"


"Pot de Fleurs"

"Japonerie"


"Kourin"


"Anouk"


"Balthazar"


"Cry of Love"


"Java Beige"


"Diaghilev"


Limited edition bottle designed by Yoshida

Fabric at top: "Jembala"

Gifts of Style for December 19

The holidays are the perfect time to forget calorie-counting, and I can't think of a better way to do so than by indulging in some decadent chocolate cake from Chocolate Cake Charleston. Baked by owner Christen Reese, the chocolate cakes are truly some of the best that I have ever had. And if you're afraid of the temptation of having a whole cake on your counter, Reese also bakes mini-cakes too. Yum!

The Glory of Shells

I have loved shells for as long as I can remember. During my childhood summer beach trips, I remember religiously checking the tide report in the newspaper so that I could plan my daily shell hunting (sounds a little nerdy, no?).

If you're like me, then you must check out the beautiful new book The Shell: A World of Decoration and Ornament by Ingrid Thomas. This highly informative book covers the history of shells and the shell motif in art and decorative art through the ages. Chapters include shells in jewelry, art, architecture, furniture, and porcelain, to name a few.

What I find most fascinating are the objects that were created using actual shells. Some of the most amazing images (at least to me) are the rooms and grottos that are decorated entirely in shells! Can you imagine the time and labor that went into these rooms? The craftsmanship in all of the objects featured in the book are just remarkable. Of course, after reading the book I have all types of fanciful ideas about what to do with my collection of shells. But in reality? Perhaps I should stick to something simple like a small mirror!


Shell Gallery at Rosendael Castle, Netherlands, c. 1730.


"The Sharpham Shellwork", c. 1770. Created by Jane Pownoll with shells collected in the West Indies by her privateer husband, the work is a replica of Sharpham House.


A carved mother-of-pearl and tortoise shell jewelry casket, 19th c. English.


Shell obelisks by Tess Morley, 1999


Pair of Olympic torches created by Peter Coke, 2001


Arcimboldesque Shell-Head Fountain in the garden of Petit Chateau, Parc de Sceaux, Hauts-de-Seine, France.

Gifts of Style for December 19

OK, I couldn't resist- I love this Dog London Trench Raincoat from Pieces. Unfortunately, my late dog refused to wear clothing, but I'm sure some of you must have obedient, sartorially gifted dogs.

The Master Speaks

Many of you know that one of my design icons is the late Van Day Truex- designer, Parsons instructor, and Tiffany & Co. design director. An authority on all matters of design, Truex wrote an article in a 1946 issue of House & Garden about framing and hanging pictures (apparently something which confounded people back then as it does today).

Truex, whose living room is seen above, wrote that one should frame and hang a picture so that will "enhance, embellish, complement, and emphasize the picture". I agree. Truex preferred gold leaf and gilt frames for both modern and traditional pictures, although plain black or wooden frames were also acceptable. I think he would have approved of Kenneth Jay Lane's choice of frames for his Orientalist art:



Of course, not every picture is a fine work of art. For artwork that is more decorative, Truex said that framing could be as "entertaining and spirited as one wishes". I would say that these prints in a room by Roger Banks-Pye are definitely spirited- the geometric-patterned frames are quite striking.



Another treatment that I find quite charming is hanging pictures with decorative cord (although Truex, who was more of a purist, might not have agreed with me). You could use a simple cord, like that used by John Fowler:



Or you could go a bit more elaborate like Elsie de Wolfe did at Villa Trianon (although, to be quite honest, I can't tell if the cord is real or faux-painted):



Regarding placement of pictures, Truex advises one to hang or display the art in close proximity to one's furniture rather than up towards the ceiling. I think this vignette by Miles Redd sums up this idea perfectly:



And for a quirky spin on picture hanging, you could hang your artwork like Horst P. Horst did here, "like steps up the wall" according to H&G.

(Image of Kenneth Jay Lane from "Elle Decor So Chic")

Gifts of Style for December 18

How fun are these porcelain pea pods from Michael Devine Home? I could see placing one on top of a stack of books, or grouping a few of them together for a festive Spring tablesetting!

The Mysterious Jib Door

In last week's post "Fun with Books", I showed a few examples of book-themed treatments of jib doors. A reader suggested that I devote a post to the subject of these doors, which seem to be more prevalent in Europe than they are here in the States (although there are jib doors in the Oval Office).

For those of you who may not be familiar with them, jib doors are basically disguised or concealed doors. The doors tend to be flush with the walls around them and lack any surrounding architecture, thereby creating a continuous plane. Many times the doors even have concealed hinges to further add to the disguise. Jib doors are usually given the same treatment as the rest of the walls in a room- paper, fabric, mirror, etc.

John Fowler was a designer who incorporated jib doors into many of his projects. In one of the images below, you will see that Fowler papered both the walls and the jib door with a Chinoiserie paper. But Fowler could also be quite inventive with his treatment of concealed doors. In David and Evangeline Bruce's Albany set, Fowler gave the jib door the same molding as the rest of the wall but added a trompe l'oeil painting to both the door and the wall. When one opened the jib door, the painting was revealed to be faux.

Even if you have never heard of the term "jib door", I'm sure you've seen them before. In fact, I think one of the most famous photos of a jib door has to be that above of Pauline de Rothschild opening the door in her Paris bedroom. And with beautiful wallpaper like that, who would want to mess it up with a clunky door!


This jib door at Colefax & Fowler in Mayair was cut into a large painted panel- the door became part of the artwork, so to speak.


The Bruce's dining room with the trompe l'oeil painting on the jib door.


A classic treatment of jib doors- papering both the walls and the door (located to the right of the bed). Design by John Fowler (Sudeley Castle.)


David Hicks was also a fan of jib doors. Here, he papered both the walls and the door with a marblelized paper. However, he also added a little lit vitrine that, according to Hicks' son, moved with the door. Now that's clever!


I once saw an interview with Albert Hadley in which, if I remember correctly, he discussed the concealed door in his gorgeous red hallway that led to his powder room (I believe he said that his guests usually had trouble finding the powder room!). I couldn't find any images of this, but did find a jib closet door in Hadley's guest room. Look closely- it's on the left-hand side of the room.


Jib doors in the Oval Office- a rather blah treatment of the concealed doors during Eisenhower's administration.