




(All photos courtesy of New York Social Diary)






Bamboo prints are one of my all-time favorites. Imagine my excitement when I was reading the August issue of House Beautiful and found this Atlanta home decorated by John Oetgen. The kitchen (shown above) has walls and ceiling papered in Cowtan & Tout's "Bamboo" wallpaper. You'll probably need to click on the picture to clearly see the print on the ceiling. (I'm also crazy for the custom zinc stove hood!) And then, on the screened pavilion at the back of the house, there is a great bamboo print by Kolo Collection on the wicker sofa. I know we've been having a "bamboo moment" for a while now, but I think that these prints are true classics!

Another image of "Bamboo" from the Cowtan & Tout website
Photos of the home from the August issue of House Beautiful

This week's new additions to 1st dibs are particularly good- thirteen pages filled with an array of treasures. As usual, I fancy a majority of the goods, but here are my favorites of the week. Which ones do you like?
Pair of George III Diminutive Painted Cabinets on Stand, c. 1780-90, available at Le Trianon
Firescreen by Rene Drouet, 1940s
Pair of Tortoise shell glass lamps, 1960s, at Prime Gallery LLC
Pair of Maison Bagues lamps, circa 1960s.
American Painted Dressing Table, c. 1820-35, at Kuttner Antiques
"Beach Chair", French, c. 1920, at Hollyhock
Pair of French Chairs, 20th c., at Downtown Joe Nye New York
Image at top: Pair of framed hand-painted leather panels from an 18th c. screen, at Hollyhock

I'm sure many of you are familiar with Lobmeyr crystal. This Austrian manufacturer has produced some of the most iconic crystal patterns of the 20th c. One of their most famous designs is "Service B", designed by Josef Hoffman in 1912 (above). But did you know that they also designed chandeliers and mirrors? (I didn't- hence this post!) Each of the designs featured below are so unique, and they certainly are not lacking in glamour. What is amazing, though, is the creativity and history of the designs as well as the workmanship. They are truly pieces of art!
"Baroque Crystal Fruit Chandelier", designed in 1937 by Stefan Rath. Available at Moss.
"MET" single ball candlestick; 1966. The MET series was designed by Hans Harald Rath and was inspired by the chandeliers he designed for the Metropolitan Opera House in New York. Available at Moss.
"Chinese Pavilion Chandelier", originally designed in 1923 by Carl Witzmann. Witzmann based this design on chandeliers he created for Vienna's Theater in der Josefstadt. Available at Moss.
"MET Table Lamp", 2001. Designed by Johannes Rath, grandson of Hans Harald. Again, inspired by Hans Harald's work for the Metropolitan Opera. At Moss.
The image of this wall lamp was taken from Lobmeyr's site. Unfortunately, I don't have the history of it, but I do love the design.
"The 180 Year Waltz: London Embassy chandelier"; 1966. Designed by Ceno Kosak for the Austrian Embassy in London. Available at Moss.
The "Block" Mirror from Moss (2006) looks like a giant emerald cut diamond- perfect for a touch of glamour.

What to do with that dead space underneath a table you ask? Why, put something there! Of course one should be selective about what they display under a table. Size is important- an object that is on the small side would look dwarfed by the heft of the table. And visual interest is critical too. A classic design trick is to place a small bench or two under the table, which is a great space saving solution too. Or, you could use large ceramic pieces like Markham Roberts and Barclay Fryery have done. Whatever you choose to use, avoid clutter! Restraint is key, something which all of these designers have heeded.
An elegant composition by Kelly Wearstler
The double bench trick a la Ruthie Sommers
A leather and chrome bench under the table, by David Hicks
Blue and white porcelain is always a stylish choice (Markham Roberts-designer)
Barclay Fryery adds a dash of humor underneath this table
White ceramic jars and Manuel Canovas' Ming linen- what a fantastic combination! (Suzanne Coleman Bancroft- designer)
At top: The master Albert Hadley uses an orb for some style in this vignette.

















