Fall Design Books, Part One

It's that time of year again: Fall Book Season.  Over the coming months, I'll be reviewing my picks for the season.  First up are these five stand-out titles:

I've long been an ardent fan of writer James Reginato's articles for such publications as Vanity Fair and W.  A sometimes chronicler of the homes of the great and the good, Reginato has in recent years profiled the aristocratic domiciles of the late Dowager Duchess of Devonshire, the Duke of Marlborough, and the Marquess of Cholmondeley.  In this book, Great Houses, Modern Aristocrats, Reginato has compiled these profiles in one volume, focusing on the splendid homes of the English and Irish aristocracy.  And what a volume it is, with featured homes that include Blenheim, Haddon Hall, Lismore Castle, and Goodwood House.  With photography by the esteemed Jonathan Becker, Great Houses, Modern Aristocrats will likely join the league of those coveted books about high-society by Horst and Slim Aarons.

(© Great Houses, Modern Aristocrats by James Reginato, Rizzoli New York 2016. Images © Jonathan Becker)

There have been a number of "the making of a house" books published over the last few years, but one that has thoroughly impressed me is A House in the Country by the husband-and-wife duo, designer Katie Ridder and architect Peter Pennoyer.  Devoted to the conception, execution, and decoration of the couple's Millbrook, New York house, A House in the Country is an engaging book that chronicles both the practical and creative sides to creating a dream home from the ground up.  What struck me was how personal their house is.  This might sound like a lame statement, because in theory, a house should reflect the personalities of its owners.  But how many times do we see impersonal homes?  Not here.  Ridder's love of color, pattern, and exotic flourishes shines through, as does Pennoyer's attention to the sometimes-quirky-but-always-delightful details, both of which make this house, and this book, something truly special.

(© A House in the Country by Peter Pennoyer and Katie Ridder, Vendome 2016. Images © Eric Piasecki)

If you've spent any time on Instagram lately, you're likely well aware of designer Mark D. Sikes' debut book, Beautiful, an apt title for a book filled with dreamy interior photos.  Organized by color, each chapter examines Sikes' passion for certain colors (blue and white, brown, green, and red) and demonstrates how the designer uses these colors to imbue a home's interiors with personality and style.  Alongside images of Sikes' work, there are photos of vignettes and mood boards, all of which provide the reader with ample design inspiration.

(© Beautiful by Mark D. Sikes, Rizzoli New York 2016. Images © Amy Neunsinger)

I've long been a fan of designer Michelle Nussbaumer's lush and visually-stimulating interiors, so I had been anxiously awaiting the publication of her new monograph, Wanderlust: Interiors that Bring the World Home.  And after diving into the book, I can say that it's a real treat to peruse.  Nussbaumer's passion is for the exotic: Turkish textiles, Moroccan rugs, Indian paintings, and Venetian furniture, all of which lend her clients' homes a worldly flair.  But even if exoticism isn't your thing, I think you'll still appreciate this book.  Nussbaumer's interiors are the kind that invite more than a passing glance, instead revealing their splendor upon thoughtful observation- and that's just what makes this book so captivating.

(© Wanderlust: Interiors that Bring the World Home by Michelle Nussbaumer, Rizzoli New York 2016. )



And last but certainly not least, The Perfect Bath, Waterworks co-founder Barbara Sallick's paean to the perfect bath. And what constitutes the perfect bath?  To Sallick, "these three words immediately conjure up an irresistible, even timeless vision of relaxation, reflection, and restoration."  This book features sybaritic baths, Spartan-but-luxurious baths, and classic baths that are reminiscent of the Twenties and Thirties. If you are a designer seeking inspiration for clients' baths or someone like me who dreams of one day having the perfect bath, this book is for you.

(© The Perfect Bath by Barbara Sallick, Rizzoli New York 2016. )

Dining in the Vestibule

Where to dine if one's home lacks a dining room?  According to a few mid-century issues of  Connaissance des Arts and House & Garden, the vestibule, that's where.

Thankfully, I have a dining room, so figuring out where to seat my dinner guests is not something I have to worry about.  But if one's home isn't blessed with a designated dining area (and that seems to be many apartments and condos these days), hosting a seated dinner in a vestibule or hallway is not a bad option, especially if one's vestibule is the size of the one above, which was located in a 1950s-era Paris apartment. 

Based on the photos seen here, it seems that a small square or rectangular table, a coterie of modestly-sized chairs, or a banquette or settee are the most practical ways to furnish a vestibule-cum-dining room.  When not in pressed into service as a dining table and chairs, these pieces can be positioned along walls, where they will serve as occasional seating and, in the case of tables, surfaces for display.

Of course, if elaborately-prepared meals are your thing, then there is no reason why you can't serve a four-course meal in your vestibule-dining room.  But, in my opinion, a slight space seems to call for less-complicated meals, which require less-complicated though still-elegant place settings.  Perhaps soup to start, followed by a Boeuf Bourguignon or Veal Blanquette, and ending with some kind of fruit dessert?

Even if you have a dining room, an adequately-sized vestibule or hall can still be used as a dining area, especially when you're dining à deux- so much cozier than dining at one end of a large dining table.   

A dining table placed in a hallway off of a pantry. Billy Baldwin, designer.

In a Manhattan apartment, a garden breakfast room in a hall.

A dining gallery in a Manhattan apartment decorated by Mario Buatta.

In the hall of a New Jersey home, a small round table pressed into service as a dining table.

Dining in the foyer of Mr. and Mrs. Paul Porter's Washington, D.C. apartment.

Pomp and Restraint

Thanks to social media overexposing almost everything and everybody, I seem to have grown tired of a lot these days.  But one thing that I never tire of is the Paris hôtel particulier of Hubert de Givenchy.  Yes, we've seen photos of this home and his other domiciles countless times before, but how could one ever grow bored with its peerless beauty?

Few have such flair with the color green as does Givenchy, who often enriches the shade with gilt accents.  Luscious green velvet-covered walls of the salon vert provide a sumptuous backdrop for equally sumptuous furnishings, including a Boulle armoire, desk, and torchères.  Meanwhile, in the grand salon, a lighter touch is provided with creamy boiserie walls and ivory taffeta curtains, punctuated by a striking Savonnerie carpet and green upholstery and lamp shades.  Finally, the dining room, more of a living space really, is a study in French refinement.  But despite the richness of the surroundings, the rooms never appear visually suffocating or heavy.  As a fellow collector so rightly noted of Givenchy, "Who else is so adept at tempering dix-huitième pomp with vingtième siècle restraint as Hubert?" 

All photos from House & Garden, April 1987, François Halard.

American Fashion Then and Now

Generally speaking, commentaries written about society rarely age well, but one that has is The Beautiful People.  Written in 1967 by former New York Times journalist Marylin Bender, the book is, to quote the front of the dust jacket, "a candid examination of a cultural phenomenon- the marriage of Fashion and Society in the 60's".  The Sixties was a turbulent decade in which upheaval was the norm rather than the exception, and Fashion and Society were not immune to that era's seismic changes.  The 1960s saw fashion designers achieve newfound social status, while many socialites left their lofty perches to become shills for the fashion companies, ultimately becoming what we now refer to as brand ambassadors.  Sound familiar?

So many of Bender's observations remain relevant today, especially this one:  "American fashion is flower-printed sheets and towels by Porthault, fine French 18th-century furniture, English silver, baby pillows, silver-framed photographs and a clutter of small objects all over the place."  The same could be said of today's American fashion, although French furniture and English silver may not be quite as popular as they once were.  (I still have an appreciation for both, and I'm sure many of you do, too.  On the whole, though, younger sophisticates don't quite have the passion for either one.)  Porthault remains a favorite among the cognoscenti, as do silver-framed photographs, baby pillows, and clusters of small objects.  Take a look at sophisticated homes from the past and today, and you'll see that although things have changed greatly over the decades, there are some elements of fashion (and good taste, for that matter) that have thankfully remained the same.
  

Flower-Printed Sheets & Towels by Porthault

 

The former London bedroom of Jayne Wrightsman

A bedroom in the former Washington, D.C. home of Deeda Blair

 A bedroom in the Long Island home of Veronica and Jamie Beard (Simon Upton, photographer)

 

Fine French 18th-century Furniture

Consuelo Balsan in her Southampton Drawing Room
 

Billy Baldwin's prized Louis XV chair

Jayne Wrightsman's former Palm Beach drawing room

 

 

English Silver

A Tiffany tablesetting, which included English flatware, by Sister Parish

Dinah Shore's antique English flatware
 

Baby Pillows

A baby pillow nestled among bed pillows on Joan Kennedy's bed
 

Silver-Framed Photographs

 

Silver-framed photographs in the home of Blair and Alistair Clarke

Silver frames in the Palm Beach home of Pauline Pitt

 

A bevy of frames in Earl Blackwell's chic home

 

 

Clutter of Small Objects

 

Stanley Barrow's bronze collection

19th c. stirrup cups on the mantel in the Millbrook home of Fernanda Kellogg and Kirk Henckels

 

C.Z. Guest's collection of blue and white porcelain