An Inspired Christmas

I know that envy is not in keeping with the holiday spirit, but I do envy those people who decorate their homes for the holidays in a most imaginative way. Take, for example, that homeowner who wrapped his home in thousands of blinking lights and created a light show set to the music of the Trans Siberian Orchestra. Admit it- you know exactly what I'm talking about. It's that video that made the YouTube and email rounds last year and if you see it one more time you're going to scream. Now, I don't want to decorate my home like that, but I've got to give that homeowner credit for his creativity.

Another way of decorating for Christmas is with a theme. Jonathan Preece of Bunny Williams Inc. does this but in a most unique way. (You might remember that I wrote about Jonathan's Thanksgiving table for a client.) For the holiday tableaux that he creates, Jonathan looks to Charles Dickens and Medieval England for inspiration. You won't find chasing lights in his decor either. He prefers using natural materials like evergreens, Juniper, Magnolia, and white flowers. And like all good designers, he is ever mindful of scale; you'll see that Jonathan usually incorporates one large objet within a mix of symmetrical and asymmetrical items in order to create balance.

Over the years, Jonathan has assembled some truly stunning vignettes in the Main Gallery at Bunny Williams Inc. After seeing these photos, I've decided that next year I'm going all-out in my own home. Just don't expect to hear the Trans Siberian Orchestra in the background.


For this tableau above and at top, the theme was Saturnalia, the ancient Roman celebration of the Winter Solstice. Jonathan used greenery, a traditional symbol of hope that Spring will soon be near. The assemblage was set in a circular fashion, another ancient symbol meaning eternity.

Jonathan chose 19th century stone garden finials as adornments on top of the painted, mirrored cabinets. The chandelier was a dilapidated, antique woven basket with defunct sockets which he transformed into taper candle holders. The life-sized 19th century plaster bust of Apollo took center stage in Jonathan's tableau. For many years, Apollo resided at John Rosselli's shop, but now he is ensconced in Jonathan's Tudor City apartment. (Jonathan says he's the best kind of roommate- looks pretty, doesn't talk back and never touches the drinks tray! I'd like one of those please.)

Surrounding Apollo were terracotta pots of narcissus, variegated mini Cedar plants, Granny Smith apples, bleached oyster shells, and cotton seeds. And of course, the single pineapple representing hospitality had a prominent role.




With another Christmas came a different scheme. This time Jonathan took his cue from two turtle doves. In the entryway to Bunny Williams Inc., two Regency Carrera marble busts on claret colored scagliola columns were crowned and mantled with cedar, spruce and juniper garlands.



The centerpiece here was the 19th c. zinc bird cage from Treillage. Yes, those were real doves inside, but don't fret. The birds took a Christmas vacation from All Tame Animals and were fed daily by one of the company's animal experts. Doves are a symbol of purity and life and were also chosen to commemorate a dear friend who had overcome cancer.

The table was covered in a late 18th c. silk gold on silver cloth in a fleur de lys pattern. Flowers and plants included potted Amaryllis, Hydrangea, succulents, and cedar branches. Seeded Eucalyptus was incorporated into the scheme because of its silvery tones which were in keeping with the blue tones of the painted cabinet, mercury glass, and antique zinc cage.



And finally, there was the Boars Head tableau. The Boars Head is an English tradition which dates back to the 16th c. and is still celebrated at Queens College, Oxford today. There was a celebrated carol, The Boars Head, which described the ancient custom of sacrificing a boar and presenting its head as part of a Yuletide feast. According to Jonathan, this bringing in of the boars head was later incorporated into the traditional Madrigal feast.

Now, regarding the boars head which was used for this particular tableau- I'm sure that some of you are angry at the use of taxidermy in design. I think it's important to note that this head was used for many years as a prop for an Iowa school's Madrigals. No boar was killed for this decoration.

An English Regency table was covered in an 18th c. Kilim rug. An early 19th c. sterling gallery tray was set with compotes filled with chestnuts and mini Bartlett pears. Garlands of Cedar and Magnolia were arranged with white grapes, bay leaves, rosemary sprigs, kumquats, plums, and cherries.

So, not only did we get a design lesson today, but a history one as well. I wonder what Jonathan will come up with next year?

(All images courtesy of Jonathan Preece)

Giving Thanks for a Beautiful Table

How does Jonathan Preece do it? In addition to being an interior designer and stylist with Bunny Williams Inc. and serving as Creative Director of BeeLine Home, Jonathan also creates stunning holiday tables for a coterie of clients and friends. Obviously, Jonathan's creativity- and energy- knows no bounds. Need proof? Just look at a Thanksgiving table that Jonathan designed for a client. While most holiday tables are as dry as a Butterball turkey (mine included), Jonathan's is a delectable feast.

The setting was a Federal house in Westport, CT that had been decorated by Bunny Williams. The client often hosted Thanksgiving dinners for 30 to 45 guests, all of whom were seated at tables in the main Dining Room and the Hall. When Jonathan was brought in to assist with the Thanksgiving arrangements, he suggested creating an enfilade effect by having a table in the Dining Room and two 72" round tables in both the Hall and the Breakfast Room.

Because the client loves drama, Jonathan came up with a scheme loaded with "Wow". One of the first things you probably noticed in the photo above is the male turkey taxidermy. (I've always thought turkeys were actually beautiful birds, and if this shot doesn't prove it, I don't know what does!) Also woven into the mix were branches of pear, maple, and magnolia intertwined with pyracantha vines. Jonathan also nestled purple variegated decorative cabbage plants into the mix.




Blanc de chine cockerels were perched alongside pumpkin tureens that did double duty as cachepots. Mercury glass votives, compotes, spheres, and toad stools added a little shimmer to the table. Mother Nature was present in the form of seasonal fruits and vegetables like brussel sprouts on the stalk, shitake mushrooms, pomegranates, and grapes.



Jonathan's client asked him to include place cards and gifts for the guests. Keeping with the theme of the table, the male guests received turkey callers, while the females got silver old fashioned hand warmers. And the kids? Mini Coleman lantern key chains. The place cards were actually plaster leaves with painted relief. The china was Wedgwood and the etched wine glasses were Christofle.


Over-scaled branch arrangements flanked the Breakfast Room Entry and added color and height to the main Dining Room. Albino pumpkins and decorative cabbage were clustered around a 19th c. garden urn. Love the drama of the uplight. And if you look carefully, you'll notice little bird houses made of bark and moss that hung on the branches.

So...after seeing these photos, I'm completely rethinking my Thanksgiving table. (Anyone know where to get albino pumpkins here in Atlanta?) If you think this is good, just wait until I show you Jonathan's Christmas table!

A Macy's Thanksgiving Day Feast

Some of you might be traveling to your Thanksgiving destinations today, while others are at home, likely baking a Pumpkin Pie or setting the Thanksgiving table. Speaking of holiday tables, I couldn't let Thanksgiving pass us by without featuring another of Jonathan Preece's inspired holiday settings. (Click here if you wish to see previous installments.)

For this Thanksgiving table, Jonathan's clients gave him carte blanche, only asking that their table setting be "unique, creative, and visually stimulating."  Jonathan, whose creativity seems to know no bounds, settled on a scaled-down version of the Macy's Thanksgiving Day Parade for the table's theme.  After all, watching the parade is one of this country's most cherished Thanksgiving customs.

Look closely at the photos below, and you'll see that the table runner is actually an enlarged, laminated map of the parade route, which runs from the Upper West Side of Central Park West to Midtown and its eventual destination of Macy's at Herald Square.  Blocks of Oasis, which were covered with moss, bark, and autumn colored flowers and foliage, mimic the trees one might find along the Central Park-portion of the parade route.  (Along the "street-grid gaps" of the parade route runner, small concrete planters were used to provide touches of greenery.)   You'll also see small painted sculptures that represent the buildings and high-rises which dot the parade route.  But the crowning touch to these little buildings are their attached "balloons", which are actually hand-made of painted papier-mâché by artist Liz Fleri.  Among the balloons making their way down the table, you'll find Kermit the Frog, Garfield, Humpty Dumpty, and Mr. Potato Head.

At each place setting, Jonathan placed napkins that had been folded in such a way as to resemble the top tiers of the Chrysler Building.  Each place card was printed with a historical fact regarding the parade.  And guests were given small mementos, which included Macy's key chains adorned with images of the parade's most classic balloons.  

Wherever you may be, I wish you a very Happy Thanksgiving! And to you, Jonathan, thank you, as always, for the beautiful holiday inspiration.

All photos courtesy of Jonathan Preece.