Showing posts with label fabric. Show all posts
Showing posts with label fabric. Show all posts

Monday, September 28, 2015

studio B Collection


Design centers around the country are currently hosting Fall Market events including ADAC, whose multi-day Discover ADAC event is always highly anticipated and very well-attended.  One of the many highlights will be the debut of Jim Thompson Textiles' new collection, studio B.  The debut is of significance to me because the collection's designer, Brian Carter, is an Atlanta-based artist who also happened to help design the enchanting vignettes at my Atlanta book launch two years ago.  Not only is Brian highly-talented, but he's also one of this industry's nice guys.

The new collection features nine graphic patterns, all of which have been printed on linen.  Look closely at each pattern, and you will see that Brian actually painted these designs.  They are not computer-generated.  Brush strokes, ragged borders, and the occasional drip or scratch have been preserved to highlight the hand-work involved in creating these patterns.  And many of the collection's color combinations- chosen by Brian for the way they "react to each other"- are unexpected and so very appealing.

The studio B collection will be available at Jim Thompson showrooms across the country.  If you're attending this week's Discover ADAC, do stop by the Jim Thompson showroom to see the new collection for yourself.


Hob Nob:






Greek to Me (on chair) and Too Too Tango (used for curtains):













To and Fro:





Lucky's Star (below sink) and Buckle Up (on lampshade):








Double Whammy:




Connect the Dots:




Tuesday, September 01, 2015

Old World Weavers


A recent windfall of late Seventies issues of Architectural Digest and Southern Accents provided me with another windfall: a clutch of Old World Weavers advertisements. As you know, Old World Weavers, the luxury textile firm, was founded by Iris Apfel and her late husband, Carl, in 1950.  Although now owned by Stark, Old World Weavers remains a to-the-trade source for traditional, dignified fabrics, such as crewelwork, embroidered silk, and damask.  So, in addition to being a fashion maven, Iris Apfel is also an authority on textiles and the decorative arts, an expertise that seems to be humorously suggested in the photo above.

The advertisements, which I have included below, are quintessential Iris Apfel.  A maximalist streak runs throughout them, with layer upon layer of sumptuous fabrics and trims (by Old World Weavers, of course,) porcelains, singerie, and antique furniture.  I assume that the ads were photographed in the Apfels' Manhattan apartment, because if you compare the ads to more recent photos of their apartment, you'll see they have much in common.  Luxury, abundance, and a flair for the dramatic characterize their home as well as their advertisements. In fact, that description could also be applied to Apfel's lauded fashion sense, too.

But really, what excites me the most is how an advertisement manages to capture most everything that I- and likely many of you- admire about traditional decoration.  Chinese porcelain, braided tassels, blue opaline glass...how often do we see these now-underrated furnishings presented in such exalted light?  The answer is, unfortunately, not often enough.




A shot of the Apfels' living room.





Another view of the living room.






The Apfels' library, as featured in Architectural Digest






Iris Apfel in her living room, which was photographed for Architectural Digest




Photos #1, #3, and #5 from Rare Bird of Fashion: The Irreverent Iris Apfel, Eric Boman author and photographer; #7 and #9 from Architectural Digest, June 2011, Roger Davies photographer

Monday, August 26, 2013

Showing Some Leg.... or Not



Have you ever noticed that some upholstered ottoman/coffee tables look like fabric-wrapped, steroid-enhanced hunks that have been plopped in the middle of a room? Perhaps that's one reason why I find this particular upholstered table, seen above, so attractive. Designed by Paolo Moschino, the table is a lightweight, slimmed down approach to the traditional upholstered ottoman table.  The void in the bottom two-thirds of the table is so refreshing and airy.  The shelf, on the other hand, helps to visually balance the top part of the table and provides a perch for books.  And that fabric is so crisp and snappy, perfect for this former fisherman's cottage in Cornwall, England.

The table immediately made me think of those great upholstered ottomans, chairs, and beds in which the legs were upholstered in fabric, too.  This kind of seamless upholstery seemed to reach its height of popularity in the late 1960s, 1970s, and early 1980s and counted all kinds of devotees like Angelo Donghia, Billy Baldwin, and Stephen Mallory.  Sometimes the piece of furniture was covered in a solid fabric, while on other occasions, a zippy print was used.  What's interesting to note is that there are times when a slipper chair or ottoman, for example, can look squatty with its upholstered legs.  For this reason, it's probably best to consider this kind of upholstery on a case by case basis.

And hopefully you'll notice that I didn't include photos of fabric-covered bun feet.  That is something entirely different and not altogether very attractive.




Angelo Donghia's raffia-like upholstered dining chairs are so timeless looking, especially considering that this room was decorated in 1975. Actually, the entire room still looks great today.




A white cotton upholstered daybed, feet and all, in this Kips Bay Show House room decorated by Stephen Mallory sometime in the 1970s.





I love this zebra print covered chair and ottoman in the apartment of decorating doyenne, Betty Sherrill. The photo was taken in 1968.




The bedroom of Jay Crawford and Anthony Tortora was swathed in a geometric-print chintz. See how the bed's short feet were fabric-covered just as the bed's box spring was?





I have always admired the East Hampton home of Harry Hinson. Ignore the crease down the middle of the photo and try to get a good look at the small upholstered slipper chair. The fabric, I believe, is Hinson & Co.'s "Merlin", a long-time favorite of mine.




The Library of a Park Avenue duplex, which was decorated in the 1970s by Arthur Smith. The green fabric that was used on the chairs and sofa add a splash of color to the otherwise brown-toned room. Smith even trimmed the legs and bottom edge of the chairs in nailhead trim.





These waterfall-style stools were completely upholstered in quilted fabric, as was the nearby sofa. (David Whitcomb, designer.)





Would you have guessed that this 1970s-era room was located in an 1882 townhouse in Savannah, Georgia? This space was a dining-sitting-garden room, which explains the choice of white fabric for the upholstery. (Home of designer Pratt Williams Swanke and her architect husband.)





So, the Crayola colors and flamestitch rug scream 1960s. Still, think about what these chairs would look like if covered in updated fabrics and placed in updated spaces. (Braswell/Cook Associates.)


Top photo of Paolo Moschino interior from House & Garden, British edition, August 2013, Paul Massey photographer; photos #2-4 from New York Interior Design, 1935-1985, Volumes 1 and 2 by Judith Gura; #5, 7, 8 from Architectural Digest New York Interiors; #6 from Architectural Digest Country Homes; #9 from Decorating American Style by Jose Wilson and Arthur Leaman; #10 from The New York Times Book of Interior Design and Decoration.

Tuesday, April 30, 2013

Stanmore Collection from Travers


Last week, Ainsworth-Noah of Atlanta hosted a cocktail showing of Travers' new fabric collection, Stanmore.  Inspired by an exhibit of Norman Parkinson's fashion photography, Erin Finn, Travers Design Director, used the photos' ornate Indian settings as a starting point for her latest collection.  And indeed, when you look at the new fabrics, you do see the influence of these photos.

What I found to be most striking about the new collection is the starring role that texture plays.  There are embroidered flowers and vases, appliquéd flowers (made from laser-cut petals), and crewelwork that is anything but old-fashioned looking.  One of my favorite prints is Changmai Chine, which is a fresh and lively take on a traditional warp print.  In fact, most of the new fabrics are based on historical fabric styles, but they have been given rejuvenated appearances thanks to updated colors and motifs.

To see these fabrics for yourself, visit Ainsworth-Noah or your local Zimmer-Rohde showroom.






A few of the Norman Parkinson photos that influenced this collection.




 Vasi




Floral Portrait 



Le Toquet 


Edenberry






The four images above show Changmai Chine, which is a beautiful silk warp print.



 Antonia




Salaria 


Stanmore Felt 


Or you could do as Dennis Hunt of Zimmer-Rohde did and have some pants made up of the Coralie print fabric.


All photos are the copyright of Jennifer Boles for The Peak of Chic