Masterpieces by RL Goins

Anytime I'm browsing through books on design and interiors of the 1920s and 30s, I'm struck by the bespoke furniture that filled many of these luxe interiors. The pieces were really like works of art and were usually crafted by ateliers of artisans who were skilled in all kinds of techniques and finishes: verre eglomisé; lacquering; gold leafing. And inevitably, I always wonder who are our 21st century Jean-Michel Franks and Jean Dunands? Just how many artists are there today who still have the knowledge of and the enthusiasm for this type of amazing craftsmanship?

Needless to say, I was shocked to find out that there is in fact a very talented artist and designer here in my very own backyard of Atlanta. Raymond Goins has his own atelier, RL Goins, that hand crafts furniture and accessories for clients far and wide, and I think that Ray's studio fills a void in the marketplace for high end, hand crafted pieces with panache. I recently toured his workshop, and I'll admit that I was gobsmacked by the cabinet that is shown at top. The custom "Dutch Gothic" cabinet is made of wood with hand carved shells that adorn the top and bottom. The doors feature hand-blown glass painted with a verre eglomisé, trompe l'oeil scene. Is that gorgeous or what!

Now I know that not everyone has the guts to commission a piece like this. In fact, Ray said that this was for a client with "flair". But Ray understands subtle and he's quite accomplished at that too. In addition to custom work, RL Goins has a gorgeous line of screens, tables, chairs, cabinets, and accessories that have really beautiful finishes. He also works with designers on interior treatments like murals and hand painted scenes. Oh, and he restores and conserves antiques as well. Obviously, Ray is an artist with boundless enthusiasm who has been blessed with a great eye.

(To see Ray's entire line of furniture and accessories, or to see his portfolio of custom projects, please visit his website)


I'm very much in love with this verre eglomisé "Marseilles" screen. It's absolutely gorgeous in person, and the hand painted scene of the Amazon is one of Ray's original designs. Part of the RL Goins collection.


"Fontainebleu" hand painted grisaille screen with trompe l'oeil scene of hunting implements. Original artwork by Ray. Part of the RL Goins collection.


"Albero di Vita" screen with hand painted leather panels. Ray's design features the tree of life motif and is available in other colors as well. Part of the RL Goins collection.


"Nautical" trumeau with a hand painted scene. Scenes and background color for the trumeau are customizable. Part of the RL Goins collection.


"Chelsea Urn" lamp with hand painted design by Ray. Part of the RL Goins collection.


There are also plenty of non-painted items in the collection which really allow the beauty of the wood to stand out. This trestle table has an aged tobacco finish. The neat thing about it is that you can assemble the table and break it down with your hands rather than tools...meaning that it's easy to transport outside for a picnic or some such event! Part of the RL Goins collection.



Custom designed outdoor swinging bench and chair. I'd say this is Gothic done right!


The "Paris" bed is another custom piece designed by Ray.


A custom designed vanity and mirror by Ray. The lacquered blue finish is stunning. So stunning that I'd like to lacquer my whole home in this shade of blue.

Swimming with the Fishes

Back when my sister and I were young, the highlight of each Fall was our school fair. Not only was it a lot of fun, but it was also our opportunity to win a few pet fish. All you had to do was toss a ball and hope that it landed in an empty fish bowl. Much to the dismay of our parents, Laura and I had really good aim and inevitably we would come home with two or three fish. And every year, we pulled out the cheap fish bowl and deposited our prizes into that bowl where they swam for about a week until they died. During that week, Laura- the good child- took care of those fish, paid attention to them, and cleaned that dirty bowl. I immediately lost interest and was on to the next thing.

So based on my history with fish, I don't think I'm cut out for providing a proper home for the poor things. But fortunately, there are people who are not only good fish care providers but who house them in really chic bowls and aquariums. 1936 must have been quite a year for a few lucky fish who found themselves housed in some stunning fish abodes. Just look:


This aquarium was built into the overmantel above a striking streamlined fireplace.


George Frelinghuysen, Jr., a decorator, designed this entrance hall panel in his home. The aquarium was built into the panel.


Frelinghuysen also designed this chandelier aquarium for his bedroom. Attached to the ceiling by black silk cords, the bowl was open at the top, and a group of crystal prisms hung down from the ceiling and dipped into the water. I think it was electrified, but I can't tell. Between the chandelier aquarium and that bed, Frelinghuysen really created his own bedroom grotto.


If I were to own a fish, I would use the Elsa Peretti fish bowl. Actually, I might ditch the fish and use this bowl for something else- it's that fabulous! (And no, that's not a real fish in that bowl.)

(See that Schlumberger brooch at top? Now that's my kind of fish!)

Mining the Middle Ages for Inspiration

I've never been one for the medieval look. And I never thought about crenellations until Frances Elkins: Interior Design came out a few years back. I fell head over heels for this bedroom above. Used by David Adler when he visited Elkins' Monterrey, CA home, the room had a crenellated bed canopy and window valance. How chic was that? And in Elkins' deft hands, the room did not look like King Arthur inhabited it!

Now obviously no one would want to go crazy with crenellations or your home might end up looking like a medieval castle. But, one crenellated object never hurt anyone. After all, Elkins and Adler gave it their seal of approval!


In case you're wondering what a crenellation is, Merriam Webster has this diagram on its site. The number "1" indicates a crenellation.


Crenellated mirror by The Squires Company, available through Decorati


Castellated Bracket Lantern by Charles Edwards. Seeing this fabulous lantern yesterday set me off on this whole crenellation tangent.


Crenellated nailshead design on these custom chairs by Ceylon et Cie


A modern twist on crenellations on this 1960s table at Ellen Ward Scarborough


Of course the classic Monteith bowl has crenellated edges. This one by Tiffany & Co.

Design Legend Melanie Kahane

The late decorator Melanie Kahane understood color. And the other thing she "got" was the importance of publicity. Because Kahane did not have the social connections that designers like Mrs. Parish and Dorothy Draper had, Kahane had to prove herself by concocting eye-catching rooms- rooms that were sure to garner attention. The image at top was from a showroom that Kahane designed in 1949, and based on what I've read this room was one of the most photographed and published rooms of the year. Back at that time, black, white, and pumpkin orange was a rather daring color scheme. Don't you think it still looks pretty fresh today?

Kahane (b.1910-d.1988) was not one to shy away from color, and pink was one of her favorites. She could create interiors that were subtle and sophisticated, but I prefer her colorful confections more. I like the bold bursts of color that she injected in her interiors as well as the daring color combinations with which Kahane experimented. Pink and orange anyone?

Design Legend Anthony Hail

The late Anthony Hail is a designer about whom I know little. But I will say that I have been struck on more than one occasion by old photos of his interiors. I feel that only an elegant person could have created beautiful interiors such as these.

What I have been able to find out is that Hail was either a Texan or a Tennessean (conflicting reports on the internet) who was raised in Denmark and France. He studied under Walter Gropius at Harvard's Graduate School of Design, served as a correspondent for various magazines, and set up his own interior design business in San Francisco in the late 1950s. For years, Hail was the éminence grise of the San Francisco design community. In his obituary from 2006, Hail was described as one who understood living on a grand-scale. It also seems that Hail was a bon vivant who counted Alexis, Baron de Rédé, Arturo Lopez-Willshaw, and Truman Capote as friends. This worldliness of Hail's certainly seemed to shine through in his work.

If any of you have additional information on Hail, I'd love for you to post it in the comment section.

Design Legend Joseph Braswell

Today, I'm featuring the work of the late Joseph Braswell, a designer who seemed to have quite a range. As you can see here, he could design masculine, neoclassically inspired interiors. Or, he could do kicky and colorful or elegant and serene. No matter the style in which he was working, his interiors seemed to be elegant, appropriate, and quietly confident.

An Alabama boy who later graduated from Parsons School of Design, Braswell worked for leaders of the field including Melanie Kahane and Raymond Loewy. It was when he set up his own business back in the mid-1950s that his career really took off. I found a quote of Mr. Braswell's on the internet that I think is just terrific, and I'd like to share it with you.

Blessed are the beautifiers, for they see God in everything they do. This work may deal in things, but it is really, truly, at heart, about the people who occupy the space, use the things. If design is good, it makes the people whom it serves better people. It is very difficult to be mean spirited in an uplifting environment. That, ultimately, is what I try, at my best, to deliver.

I'd say he delivered, and with such style and grace.







Braswell quote from Interior Design Magazine

More Zajac and Callahan

As I'll be traveling this week and time will be limited, I've decided to post about designers whose heydays were in the 1950s through the 1980s. I feel that these designers deserve some 21st century recognition. While some of the interiors may appear rather dated, it's important to remember that at the time they were quite the thing.

Today, I've decided to show more images from the portfolio of Zajac & Callahan. To learn more about them, read my previous post from a few weeks ago. Yes, it's a lot of prints and pattern, but you've got to hand it to the two men. Somehow, I think it worked. And hey, it was the late 1960s and 70s!

It's a Small World

"In miniature, anyone can live in a room designed by an expensive and exclusive New York decorator."

Do you know what I would like to see more of? Miniature rooms. How charming to see elegant rooms shrunk down to Lilliputian size. I marvel at the details of these self-contained little worlds- the tiny furniture and artwork, the miniature rugs, the thimble sized light fixtures. It is probably not feasible for a designer to create these models as selling tools for clients. But for a really good client, wouldn't it be fun to have a miniature replica made of said client's favorite room...perhaps as a thank you gift?

Some of the most amazing miniature rooms I've seen were those designed by McMillen Inc. back in 1932. Because the Depression was underway, Eleanor McMillen Brown wanted to avoid having to lay off any of her well-trained staff. So, her brilliant employee Grace Fakes came up with a fantastic idea- why not make miniature rooms and display them in a traveling exhibition? It would certainly keep the employees occupied for a while.

Done on a scale of one and a half inches to one foot, these rooms are incredible. When you see photos of them, you almost think that you're looking at a life-size room. Everything was made with correct proportions and unbelievable details. There was a mini painting by Van Day Truex and small busts by Wheeler Williams. Small fireplaces, petite Aubusson rugs, and little bouillotte lamps rounded out these rooms. They must have been something to see in person!

Jump ahead to 1978 and miniature rooms were on the mind of legendary window dresser Gene Moore. Moore asked various decorators to design scaled down rooms (a scale of one inch to one foot) for display in Tiffany's windows. Parish-Hadley and Mario Buatta both participated, and again, I wish I had been able to see them for myself. For many passersby, I'm sure it was the first time they had seen a Parish-Hadley or Buatta room up close. And truly, are these rooms any less charming than the real deal?

(Images at top: A small scale room designed by Parish-Hadley for Tiffany & Co.)

McMillen's Miniature Rooms:


An authentic replica of Mrs. Marshall Field's living room


A blue and white bedroom. Notice the tiny magazines and flowers on the tables.


A penthouse sunroom with mural by Barry Faulkner. The plants are real.


The Tiffany Rooms:


Even someone with a large personality like Mario Buatta can do miniature rooms!


Room designed by Kevin McNamara


Room by Angelo Donghia

(McMillen rooms from Sixty Years of Interior Design: The World of McMillen. Tiffany & Co. rooms and quotation from Windows at Tiffany's: The Art of Gene Moore)