Feeling Daft about Delft

I was looking through my copy of Nancy Lancaster: English Country House Style a few days ago, and I was reminded of how much I admire Lancaster's blue and white plates that hung above her fireplace at the Coach House, her last home.  You can see a detail shot of the plates, above.  I wonder if Lancaster's plates were antique Delft plates that depicted the months?  I can't confirm this; it's only a hunch.  But I also have a hunch that quite a few of you do know something more about these plates, and if so, feel free to drop me an email or comment below.

In the meantime, I did find a few plates that have a similar look to Lancaster's plates.  Certainly these examples are all charming, but they would be even more beguiling in a home decorated like that of Lancaster.

A set of seven Dutch Delft month plates, 18th c.

A pair of Delft plates that are currently being auctioned off on ebay.

A set of reproduction 18th c. Delft plates that depict each month.

An 18th c. antique Delft plate available on ebay.

Trifles at Tiffany's

Last week, a friend took me to an outdoor film series where we watched Breakfast at Tiffany's. Heaven knows how many times I've seen that movie, and yet, I never tire of it. I covet Hepburn's Givenchy wardrobe (who doesn't?), not to mention Hepburn's perfect shade of pink lipstick that she wears throughout the movie. I've been looking for a similar shade for twenty years and have yet to find it.

Of course, one of my favorite scenes is when Holly and "Fred" are at Tiffany in hopes of finding a trifle that costs under $10. The salesman shows them the now famous sterling silver telephone dialer that Fred/Paul declines in hopes of finding something more romantic. Granted, a telephone dialer might not be romantic, but it sure was snazzy looking.

I remember when Tiffany used to have all kinds of trifles, ones that could elicit a snide "How could I have lived this long without it?" from some unimaginative wiseacre. Trifles like a sterling silver toothpaste key which one placed at the end of the tube so as to help dispense the paste with stylish ease. (My parents actually own one of these, and I've always thought it was the most fabulous thing ever.) There was also the sterling noisemaker that you could spin around to add a little noisy merriment to one's New Year's Eve celebration. And what about the sterling whisk-like stirrer that helped to get rid of bubbles in champagne?




The now famous telephone dialer.




A vintage Tiffany & Co. Toothpaste Key




Elsa Peretti Padova Bubble Blower which is currently sold at Tiffany




A Tiffany & Co. Sterling Noise Maker




The now discontinued Tiffany & Co. yo-yo




Tiffany & Co. champagne stirrer




Tiffany paper cutter




Tiffany & Co. sealer




Tiffany stamp holder

Strange Fruit

On the Contributors Page of the current House Beautiful, I mention that one of my current obsessions is Italian trompe l'oeil ceramics. In fact, I've been obsessed with Italian ceramics, both of the trompe l'oeil variety and not, for years now, and my passion for it has yet to abate. (And I hope it never will, either!) I will be the first to admit that whimsical Italian ceramics can be an acquired taste. A lot of people just don't get it and even find it to be ugly. But if you do get it and it captures your fancy, then you will become mad for it. At least, that's been my experience.

I was first introduced to Italian trompe l'oeil ceramicware when I worked at Tiffany. Back in the 1960s, the great Van Day Truex introduced a line of ceramic tableware decorated with trompe l'oeil fruits, vegetables, and legumes, all of which was produced in Italy. While some of these plates are still being sold at Tiffany today, much of it has unfortunately been discontinued.

I started collecting these pieces around eight years ago after seeing my friend Kappy's enviable collection, and now I own roughly twenty trompe l'oeil pieces- and I'm not done collecting it, either. You can see part of my collection in the photo at top. I have to say that the plates are amazingly realistic looking, with the exception of those with carrots and strawberries. For some reason, the Italian ceramicists seemed to have trouble with those two.

In addition to the trompe l'oeil plates, I also love Italian ceramic tureens, garden seats, lettuceware, and, well, I'll put a lid on it because I could go on and on. But I'm not the only person who is taken with this type of ceramicware. Mid-century Italian ceramic tureens are hot sellers at my friend Barry Hutner's antiques shop, Parc Monceau. Bergdorf Goodman installed all kinds of wonderful ceramic tableware and accessories in one of their 7th floor galleries, a charming way to usher in the summer season. And rumor has it that the Italian ceramic swan tureen that alighted on Christopher Spitzmiller's Lenox Hill Neighborhood House Spring Benefit table elicited many queries of "How much will you take for it?" By the way, it's not for sale, and if I owned it, I wouldn't part with it either!

This tureen, part of my collection, is meant to look like a stack of plates with chocolates on top.




The egg plate really does look peeled hard-boiled eggs.




A plate of green beans and a pear on a plate.




This trompe l'oeil piece, one that depicts a bunch of asparagus, is a cigarette box from the 1960s.



A pair of Italian ceramic garden stools graced the 7th floor of Bergdorf's this Spring. I wonder if they're still there?




A shell tureen and a rabbit version, both mid-century Italian, are currently available at Parc Monceau.




Christopher Spitzmiller's Lenox Hill table with the highly coveted mid-century Swan tureen.


All photos by Jennifer Boles for The Peak of Chic, with the exception of the Spitzmiller table photo by Roberto Ricci and Marco Ricca.

The Flowers of Tiffany & Co.

Years ago, Tiffany & Co. used to have the loveliest floral print china. Tulip lovers and wildflower fans alike could find a pattern that struck their fancies. That must be a thing of the past because a recent search on their website yielded only one such pattern.

I admit that if I were allowed to have only one china pattern, it would not be floral. I would have to choose a Chinoiserie pattern. However, I do find floral patterns to be very charming. Can't you see using floral print dinner plates for a Spring or Summer dinner party or ladies lunch? What about serving dessert on a set of flowery dessert plates? A berry dessert would look lovely against the backdrop of delicate flowers.

I realize that to some, floral china looks old-fashioned. And in a way, it does, but that's the charm of it. I searched the internet high and low for photos of discontinued Tiffany & Co. floral china, and if you ask me, I don't think any of the patterns look old nor stodgy.




I've always loved Sybil Connolly's Mrs. Delany's Flowers for Tiffany & Co. The black background is a nice twist.






Tiffany Tulips




Fleurettes, Tiffany Private Stock





Wildflowers





Famille Noir





Tiffany Garden



Image at top: Tiffany's Biedermeier earthenware; photo from Tiffany Taste; the other two tabletop photos from New Tiffany Table Settings.

Christmas with Tiffany's

Just in case you haven't planned your holiday table yet, a few photos to get the creative juices flowing.

Baking Christmas Cakes



The Glorious Tree



The Gingerbread People's Lunch



Red, White and Red



Christmas at Mellerstain



New York- December 25

All photos from A Tiffany Christmas by John Loring.

Cane and T-Abel

How could that photo above not capture one's attention, what with the Lichtenstein and the shocking red walls and bed. There's a lot going there ("there" being the New York bedroom of designer Arthur Smith, c. 1982), but what really made me sit up and take notice were the Bielecky Brothers side tables. This photo served as a (cruel) reminder that I have yet to get the Bielecky Brothers side table that I so covet. In fact, one of their cane wrapped tables would look perfect in my study with its Albert Hadley for Hinson "Trixie" wallpaper, its gray sisal carpet, and my black lacquered Parsons console. I like to think of the room as looking very Van Day Truex meets Albert Hadley with a dash of Jennifer Boles thrown in. At least, that's what I think.

According to Adam Lewis' Billy Baldwin: The Great American Decorator, we have Billy Baldwin and Van Day Truex to thank for the Bielecky Brothers' iconic cane wrapped chair, a design that was inspired by a Jean-Michel Frank piece. The two men commissioned Bielecky Brothers to make the chairs for use in various Tiffany & Co. salons, although I would venture to say that most of us probably associate the cane wrapped pieces with Baldwin's glossy chocolate brown studio apartment. Since that first chair, the line has evolved into cane wrapped tables, bookcases, and chests. One could say that these are investment pieces as they don't come cheap. But what's important to note is that they wear like iron. Atlanta designer Stan Topol has Bielecky Brothers' chairs and tables that are 30+ years old and they look good as new. You would think that he bought them yesterday!

I'm hoping that my table will look that good thirty years from now. I just need to get my hands on one first.



Van Day Truex used Bielecky Brothers chairs in his last apartment.




Mrs. Harding Lawrence (Mary Wells Lawrence) incorporated the chairs into this table setting for the book The New Tiffany Table Settings.




Angelo Donghia was an ardent fan of the line. Here, in his New York town house, he used two different styles of the Bielecky cane table.




I could have shown the Bielecky Brothers pieces in Billy Baldwin's Manhattan apartment, but I've featured those photos so many times before that I wanted to show something different. Here, in the games room of the S.I. Newhouse Jr. townhouse, Baldwin used both the chairs and the game table.




In this New York Social Diary photo of Adam Lewis' beautiful New York apartment, you can see that he too has the classic Bielecky Brothers' chairs. Fitting for the author of books on Van Day Truex and Billy Baldwin! Seeing that I admire all three men greatly (that is including Lewis), it's fitting that I want a cane wrapped piece too.




Stan Topol has Bielecky Brothers galore in his Atlanta office that recently appeared in the May issue of House Beautiful.

Top photo from House & Garden, January 1982; photo #2 from Van Day Truex: The Man Who Defined Twentieth-Century Taste and Style by Adam Lewis; #3 from The New Tiffany Table Settings; #4 from New York Interior Design, 1935-1985, Vol. 2: Masters of Modernism by Judith Gura; #5 from Billy Baldwin: The Great American Decorator; #6 from New York Social Diary, Jeff Hirsch photographer; #7 from House Beautiful, May 2011, Thomas Loof photographer.