The Legendary Sybil Connolly

There is one design legend who I fear is slipping into obscurity, and it would be a dreadful shame if that happened. That person is the late Sybil Connolly. If some of you are not familiar with her name, I'm sure you would recognize her work.

Born in Wales to Irish/British parents, Connolly began her career as a clothing designer, first in London and later setting up shop in Dublin. Proud of her Irish heritage, Connolly worked tirelessly to promote the native crafts of Ireland. Many of Connolly's clothing designs incorporated tweeds, woolens, and most notably Irish linen. In fact, Connolly garnered praise and notoriety for her pleated linen dresses. The handkerchief linen was so fine that it took nine yards of linen to make 1 yard of pleated material. Much adored in Ireland, Connolly also developed a devoted fan base here in the States with Jacqueline Kennedy, Rockefellers, and Duponts becoming clients. (You might recognize the official portrait of Kennedy below in which she is wearing a Sybil Connolly design.)

As the swinging Sixties and early 1970s rolled around, Connolly's designs fell out of favor with the liberated woman. Refusing to capitulate to the latest trends, Connolly once said "There comes a time in everyone's life as a designer when you have to decide whether you want to create the beautiful or the merely fashionable. Sadly, there can be a conflict between the two." With her glory days of fashion design waning, Connolly ventured into designs for the home. And this, to me, is the work that is most striking.

Connolly designed collections of textiles for Brunschwig & Fils and F. Schumacher as well as tabletop items for Tiffany & Co. Ever the champion of Irish handiwork, Connolly incorporated Irish motifs- flowers, basketweave, and the like- into most of her creations. In fact, I'm sure many of you recognize Tiffany's classic Tiffany Weave China which was designed by Miss Connolly.

But her greatest work of all had to have been her beautiful home on Merrion Square in Dublin (in my opinion, one of the most charming areas in all of Dublin). With the ground floor dedicated to her design business, Connolly's private quarters were comprised of the upper floors as well as a mews house. Her home reflected her style, her elegance, and her passion for the best that Ireland had to offer. Connolly once remarked: "Perfection is not human and we shouldn't pretend that it is. The ideal house should look lived in, as if somebody reads the books on the shelves." This sentiment is one with which I agree wholeheartedly and one which I have tried to convey on this blog, although not as eloquently as Miss Connolly.

Back in the mid-1990s, I had the opportunity to hear Sybil Connolly speak while I was employed with Tiffany & Co. Unfortunately, a fellow employee fainted and Connolly's talk was cut short. It was something that I always regretted, especially as Connolly died a few years later. But, I suppose I can take consolation with photos of her work. As you can see, she had a varied, productive, and fruitful career, and it is one which deserves some posthumous attention.

(An aside: when I was researching this post, I came across a New York Times article from October 1980 announcing a buffet dance at the downtown Rich's department store here in Atlanta. The dance was a benefit cook-off for the March of Dimes. And...Sybil Connolly cooked a marinated lamb, Robin Roberts of Clarence House made deviled chicken breasts, and Mary Jane Pool prepared an avocado salad called riboon. Now that was a stellar event! Had I been older and known who these people were at the time, I would have paid my $100 to attend.)


The Mews House's cheery yellow Living Room. The plaster shells on the cornice were duplicated from some real shells that she purchased in California with Tony Duquette.


The Living Room in the main house. The curtains were made of an Irish floral fabric.


Connolly's bedroom which was inspired by her antique Angoulême porcelain. Connolly found the Angoulême patterned wallpaper in London, and she then had the Irish textile industry copy the same print onto linen. Nancy Lancaster was so taken with the charming green and white bedroom that she asked Connolly if she could copy it.


A table set for tea in Connolly's garden


The dining room of the Mews House. Connolly's collection of blue and white Irish delftware grace the walls. It also looks as though the panelling on the walls was actually painted on in shades of blue.


The dining room of the main house. The wallpaper's floral print is fuschia, which grows wild in Ireland.


A blue and white toile that Connolly designed for Brunschwig & Fils (Image courtesy of The Hunt Museum)


"Tipperary" wallpaper designed by Connolly for Brunschwig. Do you think this looks like the Angoulême print in her bedroom?


A glazed chintz pattern, "Lily of Galtee", designed for Brunschwig (image from The Hunt Museum)


Tiffany Weave china, designed by Sybil Connolly



The late, great, and discontinued china pattern known as "Mrs. Delany's Flowers". Designed for Tiffany & Co. by Connolly, the floral pattern was inspired by amazing collages created by Mary Delany in the 18th century. Delany was admired throughout England and Ireland for her charm, intellect, and artistic skills. She used thousands of pieces of colored paper to create collages of flowers.


A paper collage by Mary Delany, c. 1777. Delany's collages inspired "Mrs. Delany's Flowers". (Collection of the British Museum)


One of Connolly's famed pleated linen dresses (photo courtesy of The Hunt Museum).


Jacqueline Kennedy's White House portrait, painted by Aaron Shickler, features Kennedy wearing a Sybil Connolly gown. (Image courtesy of The White House Historical Association)